Thank you purchasing the Korg ELECTRIBE??A EA-1. In order to enjoy long and trouble-free use, please read this manual carefully and use the instrument correctly.

E 2

To ensure long, trouble-free operation, please read this manual carefully. Precautions

Location

Using the unit in the following locations can result in a malfunction.

???In direct sunlight

???Locations of extreme temperature or humidity

???Excessively dusty or dirty locations

???Locations of excessive vibration

Power supply

Please connect the designated AC adaptor to an AC outlet of the correct voltage. Do not connect it to an AC outlet of voltage other than that for which your unit is intended.

Interference with other electrical devices

This product contains a microcomputer. Radios and televisions placed nearby may experience recep- tion interference. Operate this unit at a suitable distance from radios and televisions.

Handling

To avoid breakage, do not apply excessive force to the switches or controls.

Care

If the exterior becomes dirty, wipe it with a clean, dry cloth. Do not use liquid cleaners such as ben- zene or thinner, or cleaning compounds or flammable polishes.

Keep this manual

After reading this manual, please keep it for later reference.

Keeping foreign matter out of your equipment

???Never set any container with liquid in it near this equipment. If liquid gets into the equipment, it could cause a breakdown, fire, or electrical shock.

???Be careful not to let metal objects get into the equipment. If something does slip into the equipment, unplug the AC adaptor from the wall outlet. Then contact your nearest Korg dealer or the store where the equipment was purchased.

THE FCC REGULATION WARNING (for U.S.A.)

This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instruc- tions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be deter- mined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the

following measures:

???Reorient or relocate the receiving antenna.

???Increase the separation between the equipment and receiver.

???Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.

???Consult the dealer or an experienced radio/TV technician for help.

Unauthorized changes or modification to this system can void the user???s authority to operate this equipment.

CE mark for European Harmonized Standards

CE mark which is attached to our company???s products of AC mains operated apparatus until December 31, 1996 means it con- forms to EMC Directive (89/336/EEC) and CE mark Directive (93/68/EEC). And, CE mark which is attached after January 1, 1997 means it conforms to EMC Directive (89/336/EEC), CE mark Directive (93/68/EEC) and Low Voltage Directive (73/23/ EEC).

Also, CE mark which is attached to our company???s products of Battery operated apparatus means it conforms to EMC Directive (89/336/EEC) and CE mark Directive (93/68/EEC).

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3

4

5

1.Introduction

1. Introduction

Thank you for purchasing the Electribe??A EA-1.

The Electribe??A EA-1 is a unique and easy-to-use synthesizer that uses DSP synthesis technology to help anyone from beginners to hard-core users to produce truly original sounds and phrases.

By using the front panel knobs and keys, you can create analog synthesizer sounds intuitively, and easily create phrases using these sounds.

The EA-1 is the ideal tool for the musician, DJ, sound creator, or desktop-music user who is looking for originality in their music.

Main features

???The EA-1 features analog synthesizer-like operation that lets you create a versatile range of sounds using two parts (each part with 2 OSC, 1 Filter, 1 Amp, and 3 Effects). By combining the two synthesizer parts you can create unique sequenced phrases

???By using an external input as an oscillator, you can use the EA-1 as a filter bank with powerful resonance. Ring, Sync, and Decimator functions allow oscillators to modulate each other.

???The Motion Sequence function lets you record and loop knob movements, and these can be memo- rized separately for each part of a pattern.

???You can quickly modify sounds or phrases to change your performance while you play.

???You can create Pattern consisting of a sound for each part and a sequence phrase (up to 64 steps long), and store up to 256 of these patterns in memory. Furthermore, you can arrange patterns in the desired playback order and add knob movements etc. to create Songs, and store up to 16 of these songs in memory.

???Distortion, delay, and chorus/flanger effects are provided for each part.

???A Keyboard function lets you use the sixteen step keys as a keyboard on which to perform.

???Pattern Set Play lets you register sixty-four patterns in the sixteen step keys, and switch patterns as you perform.

???Tap tempo and MIDI Clock can be used to synchronize the EA-1's performance with an external sequencer or turntable etc.

???The EA-1 can be controlled from an external sequencer or keyboard etc., and used as a MIDI ex- pansion tone generator.

???The MIDI Dump function lets you save data on a computer or external sequencer etc.

About the data you create on the EA-1

Patterns and songs that you create on the EA-1 by editing will return to their un-edited state if you select a different pattern or song, or turn off the power before performing the Write operation.

If you wish to save an edited pattern, song, or global data, be sure to perform the Write operation. Even after Writing the edited data, it is still possible to restore all songs and patterns etc. to the factory settings. (Refer to p.45 "Restoring the factory set data.")

6

1.Introduction

Make connections and play!

Example connections

Adapter cable holder

Power switch

AC Local

Voltage

Preparing to play

or

1.Introduction

Be sure to turn off the power before making connections. Careless operation may damage your

speaker system or cause malfunctions.

1. Connect the included AC adapter to the DC 9V jack, and plug the adapter into an AC outlet.

As shown in the above diagram, hook the AC adapter cable around the adapter cable holder. When removing the cable from the holder, do not use excessive force.

2.Connect one end of your audio cables to the Part output jacks of the EA-1 (PART1/MIX, PART2), and connect the other end to your mixer. The output of the EA-1 is not stereo, but is independent for each part, so you will need to make pan adjustments on your mixer. If you wish to mix the two parts for output, connect your powered monitor speaker (amplified speaker) to the PART1/MIX jack.

3.If you will be using headphones, connect them to the headphone jack. The headphone output is monaural.

The output from the Part output jacks will not be switched off even if headphones are plugged in.

Master volume

4.When you have finished making connections, turn on the power. Slightly raise the master volume of the EA-1, and press the Keyboard function key. Press the step keys to produce sound and verify that connections have been made correctly. Use the master volume of the EA-1 and the gain and fader controls of your mixer or powered monitor system to adjust the volume to an appropriate level.

7

2.Front and rear panel

2. Front and rear panel

Sequence control section

Step key section

Common section

1. MASTER VOLUME

This knob adjusts the volume that is output from the Part output jacks and the head- phone jack.

2. AUDIO IN THRU

This key allows the external audio input to be out- put directly from the Part output jacks and the head- phone jack.

When this key is on, the Audio In of OSC1 will have no effect.

3. Display

This shows the value of the currently selected pa- rameter, and various messages.

4. Dial

Use this to modify the value shown in the display.

5. Peak LED

This indicates the peak level for the input signal from the audio in jacks. Adjust the output level of your external device so that the LED lights only at the maximum level.

6. Beat LED

This will blink at quarter-note intervals to indicate the tempo.

7. [???][???] (cursor keys)

In each mode, use these keys to select parameters from the matrix shown in the display.

8. Matrix

The parameters that will appear in the display are listed here for each mode. Use the cursor keys to make the desired parameter select LED light.

9. Mode keys

Use these keys to move to the desired mode: Pattern, Song, Global, or MIDI.During playback you can move to Global mode, but not to MIDI mode.

10. WRITE key

Use this key when you wish to save settings that you modified in Pattern, Song, Global, or MIDI mode, or to save Pattern Set data.

8

2.Front and rear panel

Synthesizer section

1. OSCILLATOR

This produces the basic waveform.

??? Portamento

This smoothly connects changes in pitch.

??? OSC Balance (oscillator balance)

Adjust the level balance of the two oscilla- tors.

??? OSC2 Pitch Offset (oscillator 2 pitch offset) Adjust the pitch difference between OSC1 and OSC2.

??? OSC1 Wave (oscillator 1 wave) Select the waveform for OSC1.

??? OSC2 Wave (oscillator 2 wave) Select the waveform for OSC2.

??? OSC Mod (oscillator modulation)

Specify the type of oscillator modulation. The modulated sound will be output from the OSC2 side.

2. Original Value LED

This will light when the knob you are currently moving reaches the value of the original saved sound of the pattern.

3. Motion Seq (motion sequence)

This function allows you to loop knob movements. Each time you press this key, the setting will alternate between Off (dark), Smooth, and Trig Hold.

4. Part Select key

Each time you press this key, Part 1 and Part 2 will alternate as the part selected for editing.

5. Synthesis diagram

This is a block diagram for the synthesizer section of the EA-1.

6. FILTER

These controls let you adjust the brightness of the sound or add a distinctive tonal char- acter.

???Cutoff: Adjust the cutoff frequency of the filter.

???Resonance: Adjust the resonance of the filter.

???EG Int (EG intensity): Adjust the depth of the filter envelope.

???Decay: Adjust the decay speed of the filter envelope.

7. AMP

Here you can adjust the volume level and the distortion effect.

???Distortion: Switch distortion on/off.

???Level: Adjust the volume level.

8. EFFECT

Here you can add effects to the sound.

???Depth: Adjust the depth of the effect (tempo delay, chorus/flanger).

???Time: Adjust the delay time, or the speed of the chorus/flanger LFO.

???Type Select: Choose the effect (tempo delay or chorus/flanger) that will be adjusted

by the Depth and Time controls.

2.Front and rear panel

9

2.Front and rear panel

Sequence Control section

1. Rec key

Use this key to record phrases and movements of the knobs etc. If you press this key during recording, record- ing will end, and playback will continue.

2. Stop/Cancel key

This key stops playback of a pattern or song, or cancels an operation.

3. Play/Pause key

This key begins/pauses playback of a pattern or song.

4. TAP, Rest/Tie key

Use this key to enter a tap tempo. During step recording, use this key to input a rest or a tie.

5. Transpose key

Use this key to transpose a phrase.

Step Key section

1. Select keys

By pressing these keys to turn the Select LEDs on or off, you can use the sixteen step keys below as up to 64 step keys.

When the Keyboard function is on, these keys are used to switch the octave.

In Song mode, these keys function as rewind and fast-forward keys. When the Pattern Set function is on, they are used to switch Pattern Set groups.

2. Select LEDs

The upper row of LEDs (green) indicates the location (length 1...4) within the pattern of the currently-playing phrase pattern.

The lower row of LEDs (red) indicates the location (length 1...4) of the phrase pattern indicated by the step keys. When the Pattern Set function is on, these LEDs indicate the pattern set group. When the Keyboard function key is on, these LEDs indicate the octave position.

3. Step keys 1...16

Use these keys to modify and audition the phrase pattern of each part.

When the Keyboard function key is on, these keys function as a keyboard, allowing you to play sounds. When the Pattern Set function is on, use these keys to select patterns that you registered.

4. Keyboard function key

This makes the sixteen step keys function as a keyboard. Each time you press this key, the setting will alternate on/off. By holding down this key and pressing one of the step keys, you can switch to the pattern that you assigned to that key (Pattern Set function).

10

2.Front and rear panel

5. Shift key

This key is used in conjunction with other keys. When held down, it gives an additional function to another key.

Shift + Play/Pause key:Playback from the beginning of the pattern.

Shift + Rec key:During playback, erase triggers from the pattern.

Shift + Step keys:Execute the function shown below each step key.

Shift + dial: If the Shift key is held down as you rotate the dial, the value in the dis play will change in steps of ten.

Shift + Select key:In Pattern mode, the target step will be advanced by one.

For other Shift key combinations, refer to the explanation of each parameter.

Connector section

1. Power switch

This switch turns the power on/off. Each time you press it, the power will alternate on or off.

2. DC 9V

Connect the included AC adapter here.

3. Adapter cable holder

Hook the adapter cable around this so that it will not be disconnected accidentally.

4. MIDI connectors

IN MIDI data is received at this connector to control the EA-1 from an external MIDI device or to receive a data dump.

OUT MIDI data is transmitted from this connector to control an external MIDI de vice or to transmit a data dump.

THRU MIDI data received at the MIDI IN connector is re-transmitted without change from this connector. This is used to "daisy-chain" multiple MIDI devices.

5. AUDIO IN jack

This jack receives the signal that will be used for Audio In of OSC1. The sound that is input here will be used as the sound of OSC1.

6. PART1/MIX, PART2 (part output jacks)

Connect your audio cables from these jacks to send the sound of Parts 1 and 2 separately to your mixer or powered monitor system (powered speakers) etc. If you wish to output the sound of Parts 1 and 2 together, make connections to the PART1/MIX jack.

7. (headphone jack)

A set of stereo headphones fitted with a stereo jack plug can be connected here. The output is monaural.

2.Front and rear panel

11

3. Basic operation (Quick Start)

3. Basic operation (Quick Start)

Conceptual diagram of the EA-1

On the EA-1, a song consists mainly of Patterns (which consist of Parts and delay set- tings) and event data (refer to p.37 "Recording knob movements or your performance in a song (Event Recording)").

Structure of Song

Listening to a Song

1.Press the Song Mode key to enter Song mode (the key will light).

2.Use the cursor [???][???] keys to make the parameter select LED indicate

Song (the top LED).

3.Rotate the dial to select the desired song (S01...S16).

4.Press the Play/Pause key to playback the song (the key will light). When the song ends, playback will stop automatically (the key will go dark).

To pause during playback, press the Play/Pause key (the key will blink). To resume playback, press the Play/Pause key once again (the key will light). To stop playback, press the Stop/Cancel key.

It is not possible to change songs during playback.

What is a Song?

On the EA-1, a song is musical data consisting of Patterns arranged in the desired playback order. The EA-1 lets you create and store up to sixteen songs. In each song you can arrange up to 256 patterns, and phrase and knob movements can also be recorded in addition to the playback. (Refer to p.34 "Song mode.")

Song

12

3. Basic operation (Quick Start)

Listening to Patterns

1. Press the Pattern mode key to enter Pattern mode (the key will light).

2. Use the cursor [???][???] keys to make the parameter select LEDs indicate

Pattern (top).

Each pattern consists of two parts (refer to p.14). In addition to the sounds of each part, you can also record phrases and knob movements (refer to p.22 "Pattern mode").

Trying out the functions

Changing the tempo of a song or pattern

There are two ways to change the tempo.

The tempo that you change here will return to the original tempo when you stop play- back and switch to a different pattern or song.

3. Basic operation (Quick Start)

??? Using the Tap Tempo key to change the tempo

While a song or pattern is playing, press the Tap key three times or more at the desired tempo. The ER-1 will detect the interval at which you pressed the Tap key, and will set the tempo accordingly. The tempo can also be changed in this way even if the EA-1 is not currently playing a song or pattern.

Use the cursor [???][???] keys to make the parameter select LEDs indicate Tempo, and the tempo you modified will appear in the display.

Three times or more

13

3. Basic operation (Quick Start)

Striking keys to play sounds (Keyboard function)

1.Turn on the Keyboard function key (the key will light).

2.Use the step keys as a keyboard.

3.You can use the Part Select key to switch the part that you play.

What is a Part?

A Part consists of a synthesizer sound, a phrase pattern (trigger, pitch, gate time), and motion se- quence. Each part is a monophonic synthesizer, and cannot play two or more notes simultaneously (polyphonically). (Refer to p.22 "Pattern mode.")

You are free to modify the sound of each part, and a phrase pattern and motion sequence can be stored independently for each part (refer to p.23 "Editing the sound of a part").

Modifying (editing) the sound

1.Turn on the Keyboard function key, and then press the step keys to play the sound.

2.Press the Part Select key to select the part whose sound you wish to edit.

3.Use the knobs of the Synthesizer section to edit the sound. The Original Value LED will light to indicate the position of the knobs for the original settings of the sound.

11

Refer to the example sounds (p.46) and try creating your own sounds.

The pattern sound that you modify here can be saved by the Write operation (p.17 "Sav- ing a pattern that you create").

If a motion sequence is controlling a knob, it may be difficult to edit the sound as you intend. If so, turn the motion sequence off while you are editing (refer to p.29 "Motion sequences").

What is the synthesizer section?

This is the section where the parameters assigned to the panel knobs and keys work together to "synthe- size" (produce) the sound of each part. (Refer to p.23 "Editing the sound of a part.")

14

3. Basic operation (Quick Start)

Playing the sound of a part along with a song or pattern

1.Turn on the Keyboard function key, and press the step keys to play the sound.

2.In Song mode or Pattern mode, press the Play/Pause key to begin playback. Use the Part Select key to select the part that you wish to play.

3.As you listen to the song or pattern, strike the step keys to play along.

Each part is a monophonic synthesizer. It is not pos-

sible for a single part to sound two or more notes simul-

taneously.

Modify (edit) the sound along with a song or pattern

1.In Song mode or Pattern mode, press the Play/Pause key to begin playback.

2.Press the Part Select key to select the part whose sound you wish to edit.

3.Use the knobs and keys of the Synthesizer section to modify the sound. The sound of the part that is playing will be modified as you move the knobs or keys.

Basic operation (Quick Start)

To save the pattern sounds that you modify here, use the

Write operation (refer to p.17 "Saving a pattern that you create").

If you re-select a pattern or turn off the power without performing the Write operation, the sound will return to its unedited state.

It is not possible to write the sounds you edit in a Song. Only in a Pattern can you

write the edited sounds.

Modifying (editing) a phrase pattern

3.

What is a Phrase Pattern?

A phrase pattern consists of a trigger (note location), pitch, and gate time (note length) at each step. You can modify the phrase pattern for each part by using the sixteen step keys (or by realtime input along with the playback). (Refer to p.22 "Pattern mode.")

Phrase pattern

A phrase pattern can be edited in three ways.

???Realtime recording

While you playback a pattern, use the Keyboard function to record a new phrase along with the playback.

???Step recording

With pattern playback stopped, input pitches one at a time to create a phrase.

???Event editing

Edit the data (trigger, pitch, gate time) for individual steps to create a phrase.

15

3. Basic operation (Quick Start)

In the following pages we will explain how to perform Realtime Recording and Step Recording. For details on Event Editing, refer to Event Editing (p.28) in "Pattern mode."

??? Realtime recording (using the Keyboard function to create a phrase)

1. Press the Pattern mode key (the key will light). Use the cursor [???][???] keys to make the parameter select LEDs indicate Pattern.

phrase, press the step keys to record the notes. The pat- tern will playback repeatedly, and you can continue re- cording additional notes as long as the Rec key is lit. If

you wish to record the other part as well, use the Part Select key to switch parts, and continue recording.

7.Press the Stop/Cancel key to stop recorded. (The Rec key and the Play/Pause key will go dark.) Alternatively, you can press the Rec key (instead of pressing the Stop/Cancel key) to stop recording but continue playback. (The Rec key will go dark, and the Play/ Pause key will light.)

If you input a note by mistake, hold down the Shift key while the pattern continues to play, and then hold down the Rec key. Note triggers will be erased from the selected part (whose key is lit) while you hold down these keys.

If you wish to save the completed pattern, press the Write key. (Refer to p.17 "Saving a pattern that you create.")

??? Step Recording (using the Step keys to create a phrase)

1. Press the Pattern mode key (the key will light).

Use the cursor [???][???] keys to make the parameter select LEDs indicate Pattern.

2.Rotate the dial to select the pattern that you wish to edit.

3.Turn on the Keyboard function (the key will light).

4.Use the Part Select key to select the part that you wish to edit.

5.Use the cursor [???][???] keys to make the parameter select LEDs indicate Step Rec. (The display will indicate the target step.)

16

With the factory settings, memory protect will be on, and it will not be possible to save data. Before you save data, you must turn off the Memory Protect settings in Global mode. (Refer to p.40 "Protect set- tings.")

Please be aware that when you save data, the pattern in the save desti- nation will be overwritten.

1.Edit a pattern as described in "Modifying the sound" or "Modifying (edit- ing) a phrase pattern."

2.Press the Write key once (the key will blink). The display will blink to indicate the pattern number.

3.Rotate the dial to select the pattern number in which the data will be saved (i.e., the "save destination").

4.Press the Write key once again to begin saving the data. While the data is being saved, the key will blink. When saving is complete, the key will go dark.

If you decide to cancel, press the Stop/Cancel key. If you do not wish to save the pattern you created, simply select a different pattern without per- forming the Write operation.

Never turn off the power while data is being saved to memory (i.e., while the Write key is lit). Doing so may damage the data.

It is not possible to Write data during playback or recording.

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3. Basic operation (Quick Start)

Using a Motion Sequence

What is a Motion Sequence?

For each part, you can record the changes you make to the synth parameters using the knobs, and loop them for playback. The looped data for the knob movements is called a Motion Sequence (refer to p.29 "Recording a motion sequence").

A "motion sequence" allows you to record movements of any one of the parameters of the Synthesizer section for an individual part.

As an example, here's how to record the Portamento parameter in a motion sequence.

1.In Pattern mode, select the pattern that you wish to edit.

2.Press the Part Select key to select the part that you wish to edit.

3.Press the Motion Sequence key to select either Smooth or

Trig Hold.

4. Press the Rec key to enter record-ready mode (the Rec key will light, and the Play/Pause key will blink).

5.Press the Play/Pause key to start the pattern (the Rec key and Play/Pause key will light).

6.Move the Pitch knob to create various changes while the pattern makes one cycle (16 steps x length, or 12 steps x length).

7.When the pattern has completed one cycle after you began moving the knob, the Rec key will automatically go dark and you will return to Play mode so that you can listen to the motion sequence that you just recorded.

After pressing the Stop/Cancel key to stop playback, perform step numbers 2 and fol- lowing for "Saving a pattern that you create" to save the pattern that contains the motion sequence you just recorded.

There are two types of motion sequence (Smooth and Trig Hold). During playback, switch between these to hear the difference. (Refer to p.29 "Playing a motion sequence.")

It is not possible to modify a motion sequence after it has been recorded. If the results are not as desired, please re-record your motion sequence.

For each part, only one knob can be recorded as a motion sequence. If you move two or more knobs when recording a motion sequence for a part, the effect of the previously-moved knob will be lost. (Refer to p.29 "Recording a motion sequence.")

18

3. Basic operation (Quick Start)

Connecting various sources to the audio input

Let's try connecting various types of audio device (radio, or MD or CD player) or tone generator to the audio input jack.

Try out various types of sounds or music. Depending on the content, you may discover unexpectedly interesting results.

1

6

a CD or MD, etc.

Start)

3. Select the pattern or song whose volume you wish to

adjust, press the OSC1 key to select Audio In, and begin playback.

4.Press the mode key to enter Global mode.

5.Use the cursor [???][???] keys to set the parameter select LED to Input Gain.

6.Rotate the dial to adjust the input volume to create a balance with the volume of the other part.

7.Move the knobs and keys of the Synthesizer section to apply filtering or effects to the input signal.

If you wish to use the audio input for the OSC1, you must turn the Audio In Thru key off (key is dark).

Line-level input is recommended for the audio input. It is not possible to directly connect a mic or turntable etc.

If the Input Gain setting is too high, the sound may be distorted.

3. Basic operation (Quick

19

Hold down the Shift key and press the Keyboard function key to hold the Pattern Set function.

3. Basic operation (Quick Start)

Playing with Pattern Set

What is Pattern Set?

Pattern Set is a function that lets you register a favorite pattern to each of the sixteen step keys, and use the step keys to switch patterns. You can use this function to play a performance simply by selecting patterns one after the other.

If during playback you hold down the Keyboard function key and press Pattern Set 3

another step key, the pattern assigned to that key will begin playing when the currently-playing pattern finishes playing. (Refer to p.32 "Pattern Set.")

While the Keyboard function key is blinking, it will control the Pat-

tern Set function.

If you hold down the Shift key and press the Keyboard function key, the

Pattern Set function will be held. (The Keyboard function key will blink.)

To defeat this "hold" condition, press the Keyboard function key once again.

You can assign new pattern sets. (Refer to p.32, "Registering a pattern for Pattern Set.")

If you switch patterns during playback, the change will occur when each pattern finishes playing. (Refer to p.22 "The timing at which patterns will be switched.")

Using the EA-1 as a tone generator module

Read this section when you wish to use the EA-1 with other connected MIDI equipment. Use a MIDI cable to connect the MIDI OUT connector of your MIDI keyboard etc. to the MIDI IN connector of the EA-1.

1.Press the MIDI mode key to enter MIDI mode.

2.Use the cursor [???][???] keys to make the parameter select LEDs indicate MIDI ch.

MIDI IN

MIDI cable

3. Set the channel of the transmitting device to match the channel of the EA-1. (Refer to p.41 "Setting the MIDI chan- nel of part 1.")

For details on the EA-1's MIDI functionality, refer to p.43 "About MIDI."

If you wish to save the settings of MIDI mode or Global mode, you must perform the Write operation in either of these modes. (Refer to p.40 "Saving the settings you modify in Global mode ," or p.42 "Saving the settings you modify in MIDI mode.")

20

3. Basic operation (Quick Start)

Synchronized playback with the ER-1

By synchronizing the Electribe EA-1 and ER-1 you can enjoy even greater performance possibilities. Here's how you can make the ER-1 playback in synchronization with the tempo of the EA-1.

Use a MIDI cable to connect the MIDI OUT connector of the EA-1 to the MIDI IN connector of the ER-1. Connect the part output jacks of the EA-1 and the line output jacks of the ER-1 to your mixer or powered monitor system (amplified speakers).

1.Press the MIDI mode key to move to MIDI mode.

2.Use the cursor [???][???] keys to make the parameter select LEDs indicate MIDI ch.

3.Set the EA-1 channel to "01," and the ER-1 channel to "10." (Refer

to p.41 "Setting the MIDI channel of part 1.", "Setting the MIDI channel of part 2.")

4.Press the Global mode key to move to Global mode.

5.Use the cursor [???][???] keys to make the parameter se- lect LEDs indicate Clock.

6.Set the EA-1 to "int," and the ER-1 to "Ext." (Refer to p.39 "Synchronizing the EA-1 with external MIDI de- vice.")

7.Press the Play/Pause key of the EA-1 to start a pattern or song. (The Play/Pause key will light.) The ER-1 will play the pattern in synchronization with the tempo of the EA-1.

EA-1

MIDI OUT

MIDI cable

MIDI IN

ER-1

3. Basic operation (Quick Start)

If you want the EA-1 and ER-1 to play the identi- cally-numbered pattern in synchronization, make the following settings.

??? Synchronizing the ER-1 to the EA-1 as master.(Set the EA-1 to "int," and the ER-1 to "Ext.")

???Set the EA-1 and ER-1 to the same MIDI channel (for example, set both to "01").

???On the EA-1 and ER-1, set the MIDI filter setting "P" to "O" (refer to p.42 "MIDI filter settings").

???On the ER-1, set the MIDI note number setting to C-1...A-1 or A#8...G9. (This will prevent the ER-1 from being sounded un- intentionally when note-on messages are received.

It is also easy to make the EA-1 playback in synchronization by connecting it to a se- quencer or synthesizer that can transmit and receive MIDI Clock messages.

21

4.Pattern mode

4. Pattern mode

In this mode you can play patterns, or edit them to make new patterns.

Press the Pattern mode key to enter Pattern mode.

Playing a pattern

(Pattern Play)

Use the cursor keys to make the parameter select LEDs indicate Pattern. Press the Play/Pause key to start pattern playback. When the pattern finishes playing, it will return to the begin- ning and continue playing.

While listening to a pattern, you can strike the step keys along with the phrase, or move the knobs to modify the sound.

By taking advantage of the various functions of Pattern mode as part of your performance technique, you can enjoy even wider possibilities.

Selecting a pattern

Use the cursor keys to make the parameter select LEDs indicate

Pattern.

Rotate the dial to select one of the 256 patterns: A01...A64, b01...b64, C01...C64, and d01...d64. By holding down the Shift key as you rotate the dial, you can change the pattern number in steps of ten.

The timing at which patterns will

change

When you switch patterns during playback, the change will occur when the currently playing pattern finishes its last step. Until the pattern actually changes, the pattern number selected in the display will blink.

Pattern is changed Begins playing

Setting the playback tempo

??? Using the dial to change the tempo

Use the cursor keys to make the parameter select LEDs indicate Tempo. Rotate the dial to modify the tempo.

??? Using the Tap Tempo key to change the tempo

While the pattern is playing, press the Tap key three times or more at the desired tempo. The EA-1 will calculate the interval at which you pressed the Tap key, and will change the tempo accordingly. You can change the tempo in the same way even when playback is stopped.

When you use the cursor keys to make the parameter select LEDs indicate Tempo, and the tempo you modified will appear in the display.

If you switch to a different pattern without writing the pattern whose tempo you modified, the pattern tempo will return to the previous value. If you wish to keep the modified tempo, you must perform the Write operation (refer to p.33 "Saving a pattern").

Playing from the beginning of a

pattern (Reset & Play)

If you hold down the Shift key when pressing the Play/Pause key, the playback will be forced to playback from the begin- ning. By using this function in conjunction with setting the tempo by the Tap key, you can synchronize the playback with- out using MIDI.

In order to ensure that the phrase always matches, you

will need to perform this adjustment each time.

Pattern A01

Pattern A01

About the tempo when the pattern

is changed

When you switch patterns during playback, the tempo of the previous pattern will always be maintained. If you wish to use the tempo that is stored in the newly selected pattern, press the Stop/Cancel key to stop playback, and then start playback once again. The pattern???s own tempo will be applied from the point at which the pattern was stopped.

22

4.Pattern mode

You can use the Part Select key to switch the part that will be edited or played using the Keyboard function.

When you select a Part, the LED for that part will light, and you can edit it in the Synthesizer section, or edit a phrase pattern. At this time if the Keyboard function key is off (dark), the step keys will indicate the trigger locations (refer to p.28) of the phrase pattern for that part.

If the Keyboard function key is on (lit) while a pattern is play- ing back, the step keys will light in succession to indicate the pitch that the currently selected part is sounding. If the Key- board function key is off (dark), the step keys will indicate the trigger locations for the phrase pattern of the currently selected part, and the step that is currently playing.

There are two ways to create a pattern. You can start with a pattern that is similar to the desired result and then edit it, or you can create a sound and phrase pattern for each part from scratch. Either way, the EA-1 makes it easy for you to create your own original patterns.

If you wish to save a pattern you create, you must per- form the Write operation before you select a different pattern or turn off the power.

Editing the sound of a part

Select a pattern that is close to what you have in mind (or a pattern which contains no sound or phrase). Use the Part Select key to select the part that you wish to edit. Then operate the knobs and keys to edit the sound. At this time, the Original Value LED will light when the knob etc. that you are currently moving reaches the same value as the original sound of the pattern. Referring to the example sounds in the appendix (p.46) will help you learn how to create your own sounds.

You can also edit while playing back a pattern. It is also pos- sible to use an external MIDI device to control the value of each knob (refer to p.43 "About MIDI").

If the sound does not change when you rotate a knob or switch the setting of a key, either another knob or key has been set so that the parameter you are attempt- ing to adjust has no effect, or the Motion Sequence func- tion (p.29 "Motion Sequence") is operating.

Synthesizer parameters

OSCILLATOR

This specifies the basic waveform and pitch of the sound.

This parameter creates a smooth change in pitch from one note to the next. As this knob is turned further toward the right, the pitch will change more slowly.

If portamento is raised excessively, a certain amount of time will elapse before the destination pitch is reached.

OSC Balance (oscillator balance)

OSC1...OSC2

Adjust the volume balance between the two oscillators. Ro- tating the knob all the way to one side will cause the level of the other oscillator to be 0. If you wish to hear the result of OSC Mod, set this knob in the OSC2 position.

4.Pattern mode

23

4.Pattern mode

OSC2 Pitch Ofs (OSC2 pitch offset)

???1 octave ... 4 octaves

Specify the pitch of OSC2 relative to the pitch of OSC1. The pitch of OSC2 can be adjusted in the range of ???1 octave to 4 octaves from the pitch of OSC1.

The pitch of OSC1 will be the pitch that sounds when you use the keyboard function or the pitch specified for a phrase pattern.

Specify the basic waveform of OSC1.

(sawtooth wave)

This waveform is rich in overtones, and is suitable for bass or synth lead sounds.

(square wave)

This waveform contains only the odd-numbered har monics, and produces a tone typical of electronically produced sound.

(triangle wave)

This waveform is more mellow than the sawtooth wave or square wave, and is suitable for sub-bass sounds etc.

Audio In

The audio signal input from the audio input jack will be used as OSC1.

So that they will be particularly suitable for bass sounds, the waveforms of OSC1 have a slightly heavier sound (fun- damental) than the waveforms of OSC2.

Specify the basic waveform of OSC2 (refer to OSC1 Wave).

When OSC Mod is set to Deci, the basic waveform

selection will have no effect.

OSC Mod (oscillator modulation)

off, Ring, Sync, Deci

Select the type of modulation that will occur between the oscillators. Since OSC2 will be modulated (i.e., it will be the slave), the results of the modulation will be output from

OSC2.

For either of the types of oscillator modulation, using a motion sequence etc. to change the pitch of OSC2 will pro- duce timbral changes.

??? Off (When the OSC Mod LED is dark)

When OSC Mod is off, the oscillators will not modulate each other.

By using OSC2 Pitch Ofs to create a slight difference in pitch between the oscillators, you can produce a spacious detune effect. Setting a one-octave difference in pitch is effective when you wish to create thick synth-bass sounds etc.

??? Ring Modulation

This type of modulation generates a frequency consisting of the sum and difference of the OSC1 and OSC2 frequen- cies. When you move the OSC2 pitch offset knob the tim- bre will change, producing metallic sounds or sound effects. The modulated sound will be output from OSC2

The tone and volume of Ring Modulation may vary

depending on the phase difference between OSC1 and OSC2.

??? Oscillator Sync

This type of modulation forcibly resets the OSC2 waveform by synchronizing its pitch to the pitch of OSC1. Moving the pitch of OSC2 will produce the popular "sync lead" sound. The modulated sound will be output from OSC2. Differences in the OSC1 waveform will not affect the out- put of OSC2.

??? Decimator

This type of modulation reproduces the OSC1 waveform at the sampling frequency of OSC2. The digitized OSC1 waveform will be output from OSC2. This is effective when creating electric bass sounds etc.

If OSC1 is a square wave, Decimator will have little effect.

When OSC Mod is set to Decimator, the basic wave-

form of OSC2 will be ignored.

Filter

The filter processes the sound produced by the oscillator to make it less bright, etc.

Cutoff frequency

EG Int > 0

EG Int

Cutoff

Decay

Time

Trigger on

Cutoff frequency

EG Int < 0

Cutoff

EG Int

Decay

Time

Trigger on

Set the cutoff frequency of the low-pass filter. Overtones higher than the cutoff frequency will be cut, making the sound more mellow.

If Cutoff and EG Int are set to 0, you will hear virtu- ally no sound.

24

4.Pattern mode

This parameter adds character to the sound by boosting the region around the cutoff frequency. If you raise the reso- nance and turn the Cutoff knob (or adjust EG Int and De- cay), you will hear the typical "meow-ing" sound typical of analog synthesizers.

If the resonance is raised, the sound may be distorted de- pending on the cutoff frequency or on the pitch that you play.

Specify the depth and direction of the effect that the EG (envelope generator) will have on the cutoff frequency. The EG will start when trigger-on occurs (the instant you play the keyboard). If this knob is in the center position, the EG will have no effect.

If the gate time length of a step extends beyond the point at which the next step is sounded, the EG will not be re-triggered for the next step.

Specify the time over which the EG will decay. In conjunc- tion with the Cutoff and EG Int parameters, this controls the way in which the sound will change over time. If EG Int is set to a negative (???) setting, Decay Time can be used in place of Attack Time.

AMP

These parameters adjust the volume level and distortion effect.

Set the delay time. Rotating the knob toward the right will lengthen the delay time.

If you have selected Tempo Delay as the effect type, this parameter will let you set the tempo in terms of sixteen dif- ferent multiples of the step: 1/4, 1/3, 1/2, 2/3, 3/4, 1, 1.33, 1.5, 2, 2.5, 3, 4, 5, 6, 7, or 8.

Depending on the tempo setting, it may be impos- sible to set the delay time. In such cases, set the delay time to half the desired value.

Chorus/Flanger settings

Set the Type Select button to Chorus/Flanger, and adjust the chorus/flanger. Chorus creates minute differences in the pitch to produce an ensemble effect, and Flanger adds a "swooshing" modulation to the sound.

Adjust the depth of the chorus/flanger effect. Rotating the knob toward the right will change from a chorus effect to a flanger effect.

Raising the depth excessively may cause the sound to distort.

Adjust the LFO speed of the chorus/flanger. Rotating the knob toward the right will speed up the LFO.

mode

Turn distortion on/off. Distortion is an effect that intention- ally distorts the sound to produce a hard sound even from a mellow waveform. It is highly effective to raise the reso- nance and use distortion.

Adjust the volume.

Effect

Here you can apply effects to the sound.

The Depth and Time knobs will edit the effect that is se-

lected by Type Select.

Tempo Delay settings

Set the Type Select button to Tempo Delay, and adjust the delay. Delay is an effect that plays back a time-delayed ver- sion of the original signal, and is also known as "echo." Tempo Delay is a delay that can automatically synchronize the delay time to the tempo of a pattern. If the MIDI Clock parameter is set to "Ext" (external), the delay time can also be synchronized to the clock of an external device. (Refer to p.39 "Synchronizing the EA-1 and an external MIDI device.")

Adjust the depth of the delay and the amount of feedback (the number of delay repeats). Rotating the knob toward the right will increase the level of the delayed sound and the amount of feedback.

Raising the Depth excessively may cause the sound

to distort.

4.Pattern

25

4.Pattern mode

Length, Scale/Beat settings

You can set the length (the length of the entire pattern) and the basic beat (time signature).The Length and Scale/Beat you specify here will affect the correspondence between step keys and note values, and the maximum number of steps as shown in the following diagram.

While you hold down the Shift key, the step keys will light to indicate the length and beat of the current pattern.

To change the Length, hold down the Shift key and press a Step Key 1...4.

To change the Beat/Scale, hold down the Shift key and press a Step Key 5...7.

It is not possible to view or change the Length or Beat/ Scale during playback or recording, or during Pattern Set Play.

??If you select triplets (3 x 12) for Beat/Scale, step keys 13...16 will have no function.

x 16

Shift + step key 5 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16

x 16

Shift + step key 6 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16

What is Length?

In this context, "Length" refers to the length of the rhythm pat- tern.

The "Length" of the pattern will be either 16 steps or 12 steps, depending on the Scale and Beat settings of the pattern. A rhythm pattern in triple meter will be shown in triplets. De- pending on the Length and Beat settings, a single pattern can have up to 64 steps.

Swing settings

By adjusting the Swing settings you can offset the note timing of the steps. For example, you can change a straight 16-beat by adding a slight "bounce" or shuffle. The Swing value can be adjusted from 50 to 75 (%), and will affect the note timing of even-numbered steps. A setting of 50 will produce a perfect 16- beat, and a setting of 66 will produce a shuffle.

1.If a pattern is playing back, press the Stop/Cancel key to stop playback.

2.Rotate the dial to select the pattern for which you wish to make Swing settings.

3.Hold down the Shift key, and press step key 8 (Swing). Key 8 will light.

4.A value will blink in the display. Rotate the dial to set the Swing value.

5.Once again press step key 8 to execute the Swing setting (key 8 will go dark).

If you decide to cancel without making the setting, press the Stop/Cancel key.

If the Length and Beat/Scale settings are set to triplets (3 x 12), the Swing setting has no effect.

It is not possible to view or adjust the Swing parameter during playback or recording, or during Pattern Set Play.

3,5

3

26

4.Pattern mode

Creating a phrase pattern

There are three ways to create a phrase pattern.

Realtime recording

Use the Keyboard function to play the step keys at the exact timing you wish to record them.

Step recording

Use the Keyboard function to specify the pitch of the note for each target step to create the phrase.

Example display

Step 10

Length 1

Step 5(37)

Length 3

Event editing

Edit the data (trigger, pitch, gate time) for each step to create the phrase.

If you wish to erase the phrase of each part before you create your own rhythm data, refer to p.29 "Erasing phrase data from a part."

Realtime recording

Please refer to "Realtime recording (Using the Keyboard func- tion to create a phrase)" (p.16) in chapter 3. Basic operation (Quick Start).

Step recording

Please refer to "Step recording (Using the step keys to create a phrase)" (p.16) in chapter 3. Basic operation (Quick Start).

About the Target Step

The value shown in the display when the parameter select LEDs indicate Step Rec is called the "target step." The value shown in the display indicates the location of a certain step in the phrase pattern. To change the target step, you can use the dial or press one of the sixteen step keys. Alternatively, you can hold down the Shift key and use the Select keys to move forward or back- ward in single steps.

The maximum number of steps will depend on the length

and scale/beat settings.

In the case of a pattern with a length of 2 or greater, you can use the Select keys to move the select LED in the lower line (red) in order to change the length that is shown by the step keys, and verify or modify the trigger locations.

When the Keyboard function key is on, the step keys will not indicate the target step. When the Keyboard function is off, the step key corresponding to the target step will blink.

Event editing

A phrase pattern consists of the following three data items for each step. For each step, you can set these three items.

???Trigger: Whether or not a note will sound

???Pitch: The pitch that will be sounded

???Gate time: The duration of the sound

Changing the trigger settings

1.Turn off the Keyboard function key (the key will be dark).

2.Use the cursor keys to make the parameter select LEDs indi- cate either Pattern, Tempo, or Step Rec.

3.Use the Part Select key to select the part that you wish to edit.

4.For a pattern with a pattern length of 2 or more, you can use the Select keys to move the red select LEDs to left or right to change the length location that you will edit.

5.The step keys will light to indicate the trigger locations of the pattern for that part. You can press each key to switch the trigger on/off for that step. Each time you press a step key, the trigger will alternate on (lit) and off (dark).

4

4.Pattern mode

27

4.Pattern mode

Changing the pitch

1.Turn off the Keyboard function key (the key will go dark).

2.Use the cursor keys to make the parameter select LEDs indi- cate Pitch.

3.Use the Part select key to select the part that you wish to edit.

4.The step keys will light to indicate the trigger locations of the pattern for that part. Press the step key for the step whose pitch you wish to edit (the key will blink). By pressing a step key where a trigger exists, you can audition its pitch.

5.Rotate the dial to modify the pitch of that step.

When the display is showing the Pitch, pressing a step key will not switch its trigger on/off.

Changing the pitch of a step whose trigger is off will have no effect. If you turn that trigger on, the specified pitch will be used. If you wish to transpose the pitch for one part of the en- tire pattern, refer to p.30 "Changing the pitch data of a part (Pitch Shift)."

4

The pitch will be shown in the display as follows.

Changing the gate time

1.Turn off the Keyboard function key (the key will go dark).

2.Use the cursor keys to make the parameter select LEDs indi- cate Gate Time.

3.Use the Part select key to select the part that you wish to edit.

4.The step keys will light to indicate the trigger locations of the pattern for that part. Press the step key for the step whose gate time you wish to edit (the key will blink). By pressing a step key where a trigger exists, you can audition its pitch.

5.Rotate the dial to modify the gate time of that step.

The value shown in the display is the gate time length in units of a step. For example if the gate time is set to 1.0, the gate time will be exactly as long as one step.

If the gate time length extends into the timing of the next note, the filter EG of the next note will not be retriggered.

When the display is showing the Gate Time, pressing a step key will not switch its trigger on/off.

Changing the gate time of a step whose trigger is off will have no effect. If you turn that trigger on, the specified gate time will be used.

4

28

A motion sequence can be played back in one of the following two ways, and you can select the playback method indepen- dently for each part.

Smooth:Knob values will be connected smoothly, and the sound will change smoothly.

Trig Hold (trigger hold): The value of the motion sequence knob will be held at the note timing of that part.

Playback the motion sequence with Smooth setting

Knob movements when the motion sequence was recorded

If you wish to save the pattern you edit using these func- tions, you must perform the Write operation before se- lecting a different pattern or turning off the power.

Erasing phrase pattern data from

a part

To erase the phrase pattern data for the selected part, you can use one of the following two methods in addition to turning each of the sixteen step keys off.

Erasing data during playback or

recording (Erase)

1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16

Playback the motion sequence with Trig Hold setting

1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16

There will be no effect when the Motion Sequence LED is dark (off).

Recording a motion sequence

You can record knob movements (motion sequence) for each part. When recording a motion sequence, only one knob is valid for each part. If you record a motion sequence on the same part using a different knob, the effect of the previously recorded knob will disappear.

For the recording procedure, refer to p.18 "Using a motion se- quence" in section 3. Basic operation (Quick Start).

Motion sequences are recorded in realtime while you listen to the playback. It is not possible to partially modify a motion sequence after it has been recorded. You will need to keep trying until you record a motion sequence to your liking. (Refer to p.31 "Erasing motion sequence data from a part.")

Checking motion sequence data

Hold down the Shift key and press the Motion Sequence key. If motion sequence data has been recorded in the selected part, step keys 1, 2, 3, 4 will light.

It is not possible to check for motion sequence data

during playback, recording, or Pattern Set Play.

Performing this operation will not affect the pitch and

gate time data.

2

Erasing all data from a part (Clear Part)

This operation erases all phrase pattern and motion sequence data at once.

1.If the pattern is playing, press the Stop/Cancel key to stop playback.

2.Press the Part key to select the part whose data you wish to erase.

3.Hold down the Shift key and press step key 12 (Clear Part). (Key 12 will blink.)

4.Once again press step key 12 to clear the data.

To cancel without clearing the data, press the Stop/Cancel key.

When you perform this operation, the pitch of all steps will be set to "C4," and the gate time to "1.00."

3,4

3

29

4.Pattern mode

Transposing a phrase (Transpose)

This operation lets you transpose a phrase.

1.While you continue pressing the Transpose key, the display will indicate the current transposition status.

2.While holding down the Transpose key, rotate the dial to trans- pose the phrase in semitone steps. +/???1 transposes the pitch by a semitone, +/???2 by a whole tone, +/???7 by a fifth, and +/??? 12 by one octave.

While holding down the Transpose key you can also use the step keys or Select keys to transpose.

When you hold down the Transpose key and use the step keys to specify the transposition, step key 4 will correspond to the C pitch.

To transpose an individual part, use the Pitch Shift op- eration described below.

When you transpose the pitch, the Transpose key will light. If the value is set to 0, the key will go dark.

The Transpose value is not saved. The next time that the power is turned on, the value will be 0.

Moving data within a part

(Move Data)

The Move Data operation lets you move the phrase pattern and motion sequence data of a part backward or forward, or to shift the pitch of an entire part.

Use this when you want to change the starting location of a pattern.

1.If the pattern is playing, press the Stop/Cancel key to stop playback.

2.Hold down the Shift key and press step key 9 (Move Data). (Key 9 will blink.)

3.Turn off the Transpose key (the LED will go dark).

4.Use the Part select key to select the part whose data you wish to move. If you wish to select both parts 1 and 2, press the key several times to make both LEDs blink.

5.A number will blink in the display. Rotate the dial to select the number of steps and the direction (positive or negative) in which the data will be moved.

6.Press the blinking step key 9 to execute the Move Data opera- tion.

To cancel without executing, press the Stop/Cancel key.

The Move Data operation applied to all steps of the selected part. Data that is moved beyond the last step of the pattern will "wrap around" to the first step. For example if 64-step data is moved for "5" steps, the data that was in steps 60 through 64 will be moved to steps 1 through 5. Likewise, data that is moved earlier than the first step of the pattern will "wrap around"to the last step. For example if 48-step data is moved for "???3 " steps, the data that was in steps 1 through 3 will be moved to steps 46 through 48.

With a setting of 3

The data of each step will be moved three steps toward

With a setting of ???2

The data of each step will be moved two steps toward

Use this when you want to shift the pitch data of all steps in a part.

1.If the pattern is playing, press the Stop/Cancel key to stop playback.

2.Hold down the Shift key and press step key 9 (Move Data). (Key 9 will blink.)

3.Turn on the Transpose key (the LED will blink).

4.Use the Part select key to select the part whose pitch you wish to shift. If you wish to select both parts 1 and 2, press the key several times to make both LEDs blink.

5.A number will blink in the display. Rotate the dial to select the amount of pitch shift. +/???1 transposes the pitch by a semitone, +/???2 by a whole tone, +/???7 by a fifth, and +/???12 by one octave.

6.Press the blinking step key 9 to execute the Move Data opera- tion.

To cancel without executing, press the Stop/Cancel key.

30

4.Pattern mode

Copying a part (Copy Part)

You can copy the sound settings and phrase pattern data (in- cluding motion sequence) from a selected part to another part.

1.If the pattern is playing, press the Stop/Cancel key to stop playback.

2.Press the Part key to select the copy destination part (the LED will light).

3.Hold down the Shift key and press step key 10 (Copy Part). (Key 10 will blink.) The display will begin blinking.

4.Rotate the dial to select the copy source pattern number.

5.Use the part key to select the copy source part. (The copy source LED will blink, and the copy destination LED will be dark.)

6.Press step key 10 once again to execute the Copy Part opera- tion.

To cancel, press the Stop/Cancel key.

For details on data copy within the same part, refer to the following section "Data Copy within a part."

Data Copy within a pattern

Phrase pattern data (including motion sequence data) that you create for a pattern of length 1 can be copied to the steps of lengths 2...4. This function is a convenient way to create a pat- tern that uses similar phrases repeatedly.

1.Create a pattern with a length of 1, and Write it into memory. (Refer to p.32 "Saving a pattern.")

2.At this point, the same data as in length 1 will automatically be copied to the steps of lengths 2...4.

3.Change the pattern length to the desired length. (Refer to p.26, "Length, Scale/Beat settings.")

4.The steps of lengths 2...4 will contain the same data as length

1.Now you can edit the data of lengths 2...4 to complete the pattern.

The data will be copied in a similar way when the pattern length is 2 or 3 (refer to the table below). If you shorten a pattern you create, the data will be copied according to the shortened length.

Copy Pattern data

The data that is copied automatically when you Write a pattern does not force the pattern length (1--4) to change. If the length is 4, data will not be copied within the pattern.

Erasing motion sequence data

4.Pattern mode

from a part (Clear Motion)

This operation erases all the motion sequence data of a part.

1. If the pattern is playing, press the Stop/Cancel key to stop

Example

playback.

3.Use the Part Select key to select the part whose motion se- quence you wish to erase.

4.Press step key 11 once again to clear the motion sequence data.

To cancel, press the Stop/Cancel key.

3

3,6

2

2,4

31

4.Pattern mode

Pattern Set

Pattern Set is a function that lets you assign your favorite pat- terns to each of the sixteen step keys, and switch them at the touch of a key.

During playback, you can successively switch patterns to per- form a song.

By using the Select key in conjunction with this to switch pat- tern set groups, you can register and select 16 x 4 (total of 64) patterns.

Using Pattern Set to perform

(Pattern Set Play)

Press the Play/Pause key to begin playback.

Hold down the Keyboard function key and press a step key to switch to the pattern that was assigned to that step key.

By holding down the Keyboard function key and pressing a Select key, you can switch to a different group of registered pat- tern sets. The pattern set group will be indicated by the lower line of the Select LEDs (red).

By holding down the Shift key and pressing the Keyboard func- tion key, you can hold the Pattern Set function (the key will light).

To defeat the Hold condition, press the Keyboard function key once again (the key will go dark).

Example

Registering a pattern for Pattern

Set

1.With playback stopped, press and hold the Keyboard func- tion key and press the step key for the location that you wish to assign a pattern.

2.While continuing to press the Keyboard function key (or while Hold is still in effect), rotate the dial to select the pattern num- ber that you wish to assign. Release the Keyboard function key (or defeat Hold) to complete the registration process.

3.To save the pattern set registrations, press the Stop/Cancel key to stop playback. Continue pressing the Keyboard func- tion key, and press the Write key (the Write key will blink).

4.The display will blink "PSt." Press the Write key once again to save the data.

To cancel, press the Stop/Cancel key.

If the Global mode Memory Protect setting is on, it will

not be possible to write the data. In this case, turn off the Global mode Memory Protect setting before you ex- ecute the Write operation.

Never turn the power off during the Write operation.This may damage the data.

2,3 1

Hold down the Shift key and press the Pattern Set key to hold the function

In Pattern Set Play, the timing at which patterns will change, tempo adjustment, and functions such as Reset & Play etc. are the same as for Pattern Play.

Pattern Set cannot be used during recording. When you enter recording (ready) mode, Pattern Set will be can- celled.

32

Saving a pattern (Write)

If you wish to keep the pattern data that you create, you must perform this Write operation. When you perform the Write op- eration, "Data Copy within a pattern" (p.31) will occur auto- matically, depending on the pattern length.

If you intentionally want to discard your edits and revert to the original pattern data, simply select a different pattern without Writing.

1.If the pattern is playing, press the Stop/Cancel key to stop playback. Use the cursor keys to make the parameter select LEDs indicate Pattern.

2.Press the Write key once (the key will blink). The pattern num- ber will blink in the display.

3.Rotate the dial to select the writing destination pattern num- ber.

4.Press the Write key once again to write the data.

To cancel, press the Stop/Cancel key.

If the Global mode Memory Protect setting is on, it will not be possible to Write. In this case, you must turn off the Global mode Memory Protect setting before you ex- ecute the Write operation.

Never turn off the power during the Write operation.This can damage the data.

4.Pattern mode

4.Pattern mode

33

5.Song mode

5. Song mode

A song consists of patterns arranged in the desired order of play- back.

You can create and save up to sixteen songs in the internal memory of the EA-1. In addition to pattern playback, songs can also record phrases and knob movements.

Press the Song mode key to enter Song mode.

+ Event data

Selecting a song

Use the cursor keys to make the parameter select LEDs indicate

Song.

Rotate the dial to select one of the sixteen songs S01 to S16.

Setting the playback tempo

??? Using the dial to set the tempo

Use the cursor keys to make the parameter select LEDs indicate Tempo. Rotate the dial to set the tempo.

??? Using the tap tempo key to set the tempo

While the song is playing, strike the Tap key three times or more in succession at the desired tempo. The EA-1 will calculate the interval at which the Tap key was pressed, and will set the tempo accordingly. The tempo can be set in the same way even when playback is stopped.

When you use the cursor keys to make the parameter select LEDs indicate Tempo, and the tempo you modified will appear in the display.

If you modify the tempo of a song but then switch to another song without Writing, the first song will return to its original tempo. If you wish to keep the tempo set- ting you modified, you must perform the Write opera- tion (refer to p.38 "Saving a song").

Playing a song (Song Play)

Press the Play/Pause key to begin playing the song. The song will begin playing from the pattern of the currently selected position. When the song ends, playback will automatically stop.

It is not possible to save edited sounds in a song. Please use Pattern mode to edit sounds.

What is Position?

"Position" refers to the playback or recording order of the pat- terns within the song, and is the unit by which you edit a song.

Fast-forward or rewind a song

During song playback, you can use the select keys to fast-for- ward or rewind. To fast-forward, press the [ ] select key. To rewind, press the [ ] select key.

Rewind Fast-forward

Switching songs

It is not possible to switch songs during playback, but it is pos- sible to select the song number beforehand. If you select a song number during playback, the display will blink to indicate the selected number. When the currently playing song ends, play- back will stop, and the newly selected number will now be steadily lit. Press the Play/Pause key to playback the selected song.

Playing from the beginning of a

position or song (Reset & Play)

While a song is playing, you can hold down the Shift key and press the Play/Pause key to start playback from the beginning of the pattern specified for the currently-playing position. In addition, you can press the Play/Pause key while a song is play- ing to pause the playback, and then hold down the Shift key and press the Play/Pause key to playback from the beginning of the song.

34

If you switch to a different song while editing a song, your edited data will be lost. If you wish to keep the edited song, you must perform the Write operation to save the song data.

Erasing song data (Clear Song)

3,5,6

1,2

1.If the song is playing, press the Stop/Cancel key to stop play- back. Then select the song that you wish to erase.

2.Hold down the Shift key and press step key 16 (Clear Song). (Key 16 will blink.)

3.Press step key 16 once again to erase the song data.

To cancel, press the Stop/Cancel key.

If you erase the song data by mistake, rotate the dial to re-select the song before you save it. This will restore the data to its origi- nal condition.

4,6

If you wish to view the order of patterns in the song, or to re- select the pattern for a specific position, make the parameter select LEDs indicate Pattern. Each time you press a select key, you will move to the next or previous position. You can use the dial to change the pattern number that is displayed.

Use the select keys to move through the positions, and use the dial to select patterns

Pattern

Alternatively, you can make the parameter select LEDs indi- cate Position, and use the dial or select key to select the posi- tion you wish to check. Then make the parameter select LEDs indicate Pattern, and view or change the pattern.

At the Position setting use the select keys or dial to move;

then select Pattern and use the dial to select or view the pattern. Position

Pattern

mode

Specifying a pattern for each position

Specify a pattern for each position. When doing this, please turn the Keyboard function key off (the key will go dark).

1.Use the cursor keys to make the parameter select LEDs indi- cate Position. Notice that the display indicates "001."

2.Use the cursor keys to make the parameter select LEDs indi- cate Pattern.

3.Rotate the dial to select the pattern that you wish to assign to position "001."

4. Press the select [ ] key to advance to the next position. The display will indicate "End."

5.Rotate the dial to select the pattern. The pattern you select here will be the pattern for position "002."

6.When you select a pattern for the "End" position, the "End" will move to the next position. Repeat steps 4 and 5 to assign as many patterns as you wish.

5.Song

35

5.Song mode

Specifying the pitch of each

pattern

This function offsets the pitch of the pattern at the specified

position within the song.

Pitch Offset simply offsets the pitch within the song. It does not affect the pitch data of the pattern itself.

1.If the song is playing, press the Stop/Cancel key to stop play- back.

2.Use the cursor keys to make the parameter select LEDs indi- cate Position.

3.Use the dial or Select keys to select the position whose pitch you wish to offset.

4.Use the cursor keys to make the parameter select LEDs indi- cate Pitch Offset.

5.Use the dial to specify the desired pitch offset. +/???1 offsets the pitch by a semitone, +/???2 by a whole tone, +/???7 by a fifth, and +/???12 by one octave.

Even when the parameter select LEDs indicate Pitch Offset, you can use the Select keys to move the position forward or backward in single steps.

3,5

2,4

3

Editing a song

You can insert a new pattern into a song, or delete an existing pattern. You can also add knob movements or your own per- formance to a song.

If you wish to keep the edited song, you must perform the Write operation. If you select a different song or turn off the power without performing the Write operation, the song will return to the state in which it was before you edited it.

Inserting a pattern at a specified

position (Insert Pattern)

You can insert a pattern at a specified position, and subsequent patterns will be moved backward (toward the end of the song).

1.If the song is playing, press the Stop/Cancel key to stop play- back.

2.Hold down the Shift key and press step key 13 (Insert Pat- tern). (The 13 key will blink.)

3.The position indication in the display will blink. Rotate the dial to select the position at which you wish to insert a pat- tern. (For example if you wish to insert a pattern into posi- tion 3. make the display blink "003.")

4.Press step key 13 once again, and a pattern will be inserted in front of that position. (The key will go dark.)

To cancel, press the Stop/Cancel key.

The pattern that is inserted will be the pattern which had previ- ously been at that position. Now you can specify the desired pattern for the position that was inserted.

Data following the inserted pattern will be moved backward.

2

2,4

36

5.Song mode

Deleting a pattern from a specified

position (Delete Pattern)

You can delete a pattern from a specified position, and subse- quent patterns will be moved forward (toward the beginning of the song).

Changing the pattern for a specific

position

1.If you are playing back, press the Stop/Cancel key to stop playback.

2.Use the cursor keys to make the parameter select LEDs indi- cate Position.

3.Use the dial to select the position that you wish to modify.

4.Use the cursor keys to make the parameter select LEDs indi- cate Pattern.

5.Use the dial to select the pattern that you wish to assign to the selected position.

If you wish to audition the patterns as you select one, press the Pattern mode key to enter Pattern mode, and listen to the play- back. To return to Song mode, press the Stop/Cancel key to stop playback, and then press the

Song mode key.

1.If the song is playing, press the Stop/Cancel key to stop play- back.

2.Hold down the Shift key and press step key 14 (Delete Pat- tern). (The 14 key will blink.)

3.The position indication in the display will blink. Rotate the dial to select the position from which you wish to delete the pattern. (For example if you wish to delete the pattern from position 5. make the display blink "005.")

4.Press step key 14 once again, and the pattern will be deleted. To cancel, press the Stop/Cancel key.

When you delete a pattern, the event data (refer to the follow- ing page) at that position will also be deleted.

Data following the inserted pattern will be moved forward.

5.Song mode

37

5.Song mode

Recording knob movements or your

performance in a song

(Event Recording)

In addition to placing patterns in a desired playback order, Song mode also lets you record your realtime performance on the step keys using the Keyboard function, and knob movements you perform.

Recording this type of performance in Song mode is referred to as "event recording."

Event recording lets you record the following three types of per- formance data (event data).

???Your performance using the Keyboard function

???Your performance using the knobs and switches (only for the selected part)

???Tempo

Event recording allows you to record two or more types of events in the same area, as long as the events are played at the same time.

Event recording always rewrites the previous data ("replace recording"), and when you record your performance, any event recording data previously in that area will be erased. (It is not possible to layer event recording over the same area.)

1.Select the song on which you wish to record events.

2.Use the cursor keys to make the parameter select LEDs indi- cate Position.

3.Use the dial or the Select keys to move to the position at which you wish to begin recording.

4.Press the Rec key, and then press the Play/Pause key to begin event recording.

5.Use the part keys and/or the knobs to perform.

6.Press the Stop/Cancel key to stop event recording.

If the musical data of the song coincides with the event-recorded data, the song data will be given priority during playback.

Knob movements that are event-recorded in Song mode will always playback in a way that corresponds to the Smooth type motion sequence setting (and not the Trig Hold type).

If you wish to save the event recording, you must per- form the Write operation. If you switch songs or turn off the power without performing the Write operation, the data that was recorded will be lost.

If during playback you operate a knob that had been event-recorded, playback of the events of that knob will be cancelled until it reaches the next position. However if you modify the tempo that was event-recorded, the tempo will be cancelled until the end of the song.

After rewinding a song, it may not be possible to play- back exactly according to the event data.

Deleting event data from a song

(Clear Event)

This operation deletes all event data from the selected song.

1.If the song is playing, press the Stop/Cancel key to stop play- back.

2.Hold down the Shift key and press step key 15 (Clear Event). (The 15 key will blink.)

3.Press step key 15 once again to clear the data.

To cancel, press the Stop/Cancel key.

Checking for song event data

If event data has been recorded in a song, holding down the Shift key and pressing the Motion Sequence key will make step keys 13 through 16 light.

It is not possible to check for event data during play-

back or recording.

Saving a song (Write)

If you wish to save a song that you create, you must perform this Write operation.

If you decide not to save the song data you create, simply switch songs without performing the Write operation.

1.If the song is playing, press the Stop/Cancel key to stop play- back. Use the cursor keys to make the parameter select LEDs indicate Song.

2.Press the Write key once (the key will blink). The song num- ber will blink in the display.

3.Rotate the dial to select the writing destination song number.

4.Press the Write key once again to save the data. (The key will light, and then go dark.)

To cancel, press the Stop/Cancel key.

If the Global mode Memory Protect setting is on, it will not be possible to write the data. In this case, turn off the Global mode Memory Protect setting before you ex- ecute the Write operation.

Never turn the power off during the Write operation.This may damage the data.

38

6.Global mode

6. Global mode

In Global mode you can set parameters such as Metronome or Protect. Press the Global mode key to enter Global mode.

To execute Global mode, press a different mode key.

The settings you make in Global mode will be cancelled if you turn off the power without Writing. If you wish to save the settings you make, you must perform the Write operation (refer to p.40 "Saving the settings you modify in Global mode").

Metronome settings

Specify how the metronome will function. If you will be using realtime recording to create a pattern from scratch, it is conve- nient to use the metronome. The metronome will sound at quar- ter-note timing.

oFF: The metronome will not sound.

r-0: The metronome will sound only during recording (when the Rec and Play/Cancel keys are lit).

r-1: When recording, a one-measure count will be sounded before recording begins. The metronome will sound only during recording.

r-2: When recording, a two-measure count will be sounded before recording begins. The metronome will sound only during recording.

on: The metronome will sound during playback and record ing. There will be no count before recording begins.

1.Use the cursor keys to make the parameter select LEDs indi- cate Metronome.

2.Rotate the dial to make the metronome setting.

3.Press the Pattern or Song key to return to the previous mode.

The metronome setting cannot be written. When you

turn on the power, it will always be "oFF."

Synchronizing the EA-1

with external MIDI devices

(MIDI Clock)

The Global mode Clock setting allows the tempo of the EA-1 to be synchronized with the tempo of an external MIDI device that is able to send or receive MIDI Clock messages.

For details on synchronization settings of your external MIDI device, refer to the owner's manual for your device.

Even if you set Clock to Ext, the EA-1 will operate with its own internal clock if no MIDI Clock messages are being received at its MIDI IN connector.

Synchronizing the EA-1 to a

master external MIDI device (Ext)

1.Use a MIDI cable to connect the MIDI IN connector of the EA-1 to the MIDI OUT connector of the external MIDI device (sequencer or synthesizer etc.).

2.Use the cursor keys to make the parameter select LEDs indi- cate Clock.

3.Rotate the dial to select "Ext" (external clock).

4.Make settings on the external MIDI device (master) so that it will transmit MIDI Clock messages.

5.Return to Pattern mode or Song mode.

6.When you start the sequencer of the external MIDI device, the EA-1 will simultaneously begin playback.

7.If MIDI Clock data is being received at the MIDI IN connec- tor, you can make the EA-1 playback in synchronization with the external MIDI device by pressing the EA-1's Play/Pause key.

Adjusting the volume of

If the MIDI Clock parameter is set to "Ext" and the EA-

1 is synchronized to the external MIDI clock, it will syn- chronize to the tempo of the external sequencer, and it will not be possible to change the tempo on the EA-1.

6.Global mode

the Audio In

These parameters adjust the volume that is input to the Audio In jacks. For the procedure, refer to p.19 "Connecting various sources to the audio inputs" in section 3. Basic Operation (Quick Start).

If a MIDI Start message is received while the EA-1 is already playing in synchronization with MIDI Clock, the EA-1 will begin playback from the beginning of the cur- rently playing pattern (or in the case of a song, from the beginning of the pattern that was playing when the Start message was received).

39

6.Global mode

Synchronizing an external MIDI

device to the EA-1 as master (int)

1.Use a MIDI cable to connect the MIDI OUT connector of the EA-1 to the MIDI IN connector of the external MIDI device (sequencer or synthesizer etc.).

2.Use the cursor keys to make the parameter select LEDs indi- cate Clock.

3.Rotate the dial to select "Int" (internal clock).

4.Make settings on the external MIDI device (slave) so that it will receive MIDI Clock messages.

5.When you start playback on the EA-1, the external MIDI de- vice will begin playback in synchronization.

When you perform the Reset & Play operation to begin playback from the beginning of the pattern, the EA-1 will transmit only a MIDI Start message.

Protect settings

(Memory Protect)

This is the memory protect setting for Pattern mode and Song mode. When protect is "on," the Write key will not function, and it will not be possible to rewrite data or to receive MIDI data dumps.

If you wish to save data you edited or to receive a data dump, you must turn protect "oFF."

1.Press the Stop/Cancel key to stop playback.

2.Use the cursor keys to make the parameter select LEDs indi- cate Protect.

3.Rotate the dial to turn Protect "on" or "oFF."

If you wish to save the Protect setting, perform the Global mode Write operation.

This setting applies to Pattern mode and Song mode. In Global mode and MIDI mode, it is always possible to

Write data regardless of the Protect setting.

With the factory settings, this will be "on."

Saving the settings you

modify in Global mode

(Write)

When you perform the Write operation in either Global mode or MIDI mode, the modified settings of both modes will be saved.

Here's how to save the Global mode settings. If you wish to save the settings you modify, you must perform this Write op- eration. Each time you turn on the power, those settings will be in effect. Conversely, if you do not wish to save the modified settings, simply turn off the power without performing the Write operation.

1.Press the Stop/Cancel key to stop playback.

2.Press the Global mode (or MIDI mode) key.

3.Press the Write key once (the key will blink). The display will indicate "---."

4.Press the Write key once again to write the data.

To cancel, press the Stop/Cancel key.

In Global mode or MIDI mode, it is always possible to execute the Write operation, regardless of the Protect settings (see the previous section).

Never turn off the power while data is being written to

memory. This may damage the data.

40

7.MIDI mode

7. MIDI mode

In MIDI mode you can make MIDI-related settings, and dump exclusive data. To enter MIDI mode, press the MIDI mode key. To leave MIDI mode, press a different mode key.

If you turn off the power without Writing, the settings you made in MIDI mode will be lost. If you wish to keep the modified settings, you must execute the Write op- eration (refer to p.42 "Saving the settings you modify in MIDI mode").

Setting the MIDI channel of

part 1 (MIDI ch)

This sets the MIDI channel of part 1. The same MIDI channel is used for both transmission and reception. With the factory set- tings this will be "1."

1.Use the cursor keys to make the parameter select LEDs indi- cate MIDI ch.

2.Rotate the dial to select the channel.

Program changes and exclusive data will be transmit- ted and received on the MIDI channel you specify here.

Transmit/receive dump

data (MIDI Data Dump)

Transmission

Here's how system exclusive data (pattern data, song data, or Global mode settings) can be transmitted from the EA-1 to an external MIDI data filer or computer connected to the MIDI OUT connector.

1.Connect the MIDI OUT connector of the EA-1 to the MIDI IN connector of an external MIDI device that is able to re- ceive MIDI data dumps (another EA-1, or a computer that is running a MIDI data filer program or editing program, etc.).

2.Set the MIDI channel of the external MIDI device and the EA-1 to match. However when transmitting to a data filer, it is not normally necessary to match the MIDI channel.

3.Use the cursor keys to make the parameter select LEDs indi- cate Dump.

4.Rotate the dial to select the data that you wish to transmit. Ptn: All pattern data

SnG: All song data

ALL: All data (pattern data, song data, Global data)

5.Press the Play/Pause key to transmit the data dump.

Setting the MIDI channel of

part 2 (P2 ch)

This sets the MIDI channel of part 2. The same MIDI channel is used for both transmission and reception. With the factory set- tings this will be "2."

1.Use the cursor keys to make the parameter select LEDs indi- cate P2 ch.

2.Rotate the dial to select the channel.

If part 1 and part 2 are set to the same channel, the sounds of part 1 and part 2 will be heard simultaneously when controlled from an external MIDI device.

Reception

Here's how EA-1 system exclusive data can be received from an external MIDI data filer or computer connected to the MIDI IN connector.

1.Connect the MIDI IN connector of the EA-1 to the MIDI OUT connector of the external MIDI device that will transmit the MIDI data dump (another EA-1, or a computer that is run- ning a MIDI data filer program or editing program, etc.).

2.Set the MIDI channel of the external MIDI device and the EA-1 to match. However when transmitting from a data filer, it is not normally necessary to match the MIDI channel.

3.Use the cursor keys to make the parameter select LEDs indi- cate Dump.

4.Transmit the data dump from the external MIDI device.

Details on data dumps are provided in the MIDI implementa- tion chart of the EA-1.

Consult your local Korg distributor for more information on MIDI implementation

Do not touch the keys of the EA-1 while a data dump is in progress.

When the parameter select LEDs indicate Dump, sys- tem exclusive data can be transmitted or received even if the MIDI Filter parameter "E" is set to "-."

If the MIDI Filter parameter "E" is set to "O," system exclusive data can be transmitted or received in any mode.

7.MIDI mode

41

7.MIDI mode

MIDI filter settings

Here you can select the types of MIDI message that will be trans- mitted and received.

For each character "PCE" in the display, select "O" if you want that type of message to be transmitted and received, or select "- " if you do not want that type of message to be transmitted or received.

1.Use the cursor keys to make the parameter select LEDs indi- cate MIDI Filter.

2.Rotate the dial to select the combination of message types that will be transmitted and received; "O" allows transmis- sion and reception, and "-" disables it.

P: Transmission/reception of Program Change, Bank Select, and Song Select messages.

C: Transmission/reception of Control Change messages.

E: Transmission/reception of Exclusive data. However when the parameter select LEDs indicate Dump, Exclu sive data can be transmitted/received regardless of this setting.

Displayed alternately

None will be transmitted/received

Only P will be transmitted/received

All will be transmitted/received (Factory settings)

Saving the settings you

modify in MIDI mode (Write)

When you perform the Write operation in either MIDI mode or Global mode, the modified settings of both modes will be saved.

Here's how to save the MIDI mode settings. If you wish to save the settings you modify, you must perform this Write opera- tion. Each time you turn on the power, those settings will be in effect. Conversely, if you do not wish to save the modified set- tings, simply turn off the power without performing the Write operation.

1.Press the Stop/Cancel key to stop playback.

2.Press the MIDI mode (or Global mode) key.

3.Press the Write key once (the key will blink). The display will indicate "---."

4.Press the Write key once again to write the data.

To cancel, press the Stop/Cancel key.

In Global mode or MIDI mode, it is always possible to execute the Write operation, regardless of the Protect settings (see the previous section).

Never turn off the power while data is being written to memory. This may damage the data.

Adjusting the pitch bend

range

You can adjust the range of the pitch bend that will occur when MIDI Pitch Bend messages are received.

1.Use the cursor keys to make the parameter select LEDs indi- cate Bend Range.

2.Rotate the dial to select the bend range. +/???1 will allow a bend range of a semitone, +/???2 a whole tone, +/???7 a fifth, and +/???12 an octave.

On some sounds, it may not be possible to bend the

pitch upward a full octave.

42

8.Data

8. Appendices

About MIDI

1. MIDI channels

bytes of the parameter no.) to select the parameter. Then trans- mit Data Entry (MSB) [Bn, 06, mm] and Data Entry (LSB) [Bn, 26, vv] (control change #06 and 38) (mm, vv: upper and lower bytes of the value, together expressing 16,384 steps) to set the value. The EA-1 uses only the MSB value (128 steps) of the Data Entry message.

6. If "stuck notes" occur

2. Note-on/off

When you use the Keyboard function and press a step key, the note number assigned to that step key will be transmitted as a Note-on message [9n, kk, vv] (n: channel, kk: note number, vv: velocity) on the MIDI channel specified for that part. On the EA-1, the vv: velocity value is fixed at 64H (100). When you release the step key, a note-off message [8n, kk, vv] is transmit- ted. However, most devices do not transmit note-off velocity, and neither does the EA-1. When note-on/off messages are re- ceived on the MIDI channel assigned to a part, that part will sound.

Note-on/off messages are transmitted and received on the MIDI channels that you specify for part 1 and part 2 in MIDI mode.

3. Switching patterns

When you switch patterns, Program Change and Bank Select messages [Bn, 00, mm] (control change #00), [Bn, 20, bb] (con- trol change #32) (mm: bank number upper byte, bb: bank num- ber lower byte, together allowing 16,384 banks to be selected) will be transmitted.

If a Program Change is received on the MIDI channel of the EA-1, patterns will be switched within the same group (e.g., from A01 to A02). After a Bank Select has been received, the next-received Program Change will be able to switch to a pat- tern of a different group (e.g., from A01 to C01).

Transmission and reception of Program Change messages can be controlled by the MIDI mode MIDI Filter setting.

4 Applying pitch bend

Pitch bend messages [En, vv, vv] (vv, vv: lower and upper bytes of the value, together expressing 16,384 steps, where 8192 (vv, vv = 00H, 40H) is the center value) are not transmitted, but can be received to apply a pitch bend effect. The range of pitch bend- ing is specified by the Pitch Bend Range setting of MIDI mode.

5. Using NRPN messages to edit

NPRN (Non Registered Parameter No.) messages are messages to which manufacturers are free to assign their own functions. On the EA-1, NRPN messages are assigned to all knobs and keys of the Synthesizer section other than Motion Seq.

To edit, first use NRPN (LSB) [Bn, 62, rr] and NRPN (MSB) [Bn, 63, mm] (control change #98 and 99) (rr, mm: lower and upper

7. About synchronization

Two or more sequencers can be connected via MIDI and made to playback in synchronization. Messages used for synchroni- zation (realtime messages) include Timing Clock [F8], Start [FA], Continue [FB], and Stop [FC].

In a synchronized system, one synthesizer (the master) will transmit these messages, and the other sequencer(s) (the slave(s)) will receive these messages. The slave devices will playback according to the tempo specified by the Timing Clock messages transmitted by the master. Twenty-four Timing Clock messages are transmitted for each quarter note. When the EA-1???s Global mode parameter Clock is set to INT, it will be the master de- vice, and will transmit these realtime messages. When Clock is set to EXT, it will be the slave device, and will receive these realtime messages. However even when Clock is set to EXT, the EA-1 will operate according to its own internal clock if no Tim- ing Clock messages are being received. The Start message speci- fies when playback will begin. When the Start/Pause key is pressed on the master device, it will transmit a Start message. Slave devices that receive this Start message will synchronize to the Timing Clock messages subsequently received, and will begin playback from the beginning. If the Start/Pause key is pressed on the master devices when it is paused, the master will transmit a Continue message. When a slave device receives the Continue message, it will resume playback from the point where it is currently stopped. If the Stop key is pressed during playback, the master will transmit a Stop message. Slave de- vices will stop playback when they receive a Stop message.

8. Synchronization in Song mode

In Song mode, the EA-1 can transmit and receive Song Select and Song Position Pointer messages. When you switch songs, a Song Select [F3 ss] message will be transmitted (ss: song num- ber, where one of 128 songs can be selected. On the EA-1 you can select 16 songs.) If the EA-1 receives a Song Select message in Song mode, it will switch songs. Transmission and reception of Song Select messages can be restricted by the MIDI Filter settings of MIDI mode. If you change the current position on the master device (i.e., the device whose Clock is set to INT) when the song is stopped, a Song Position Pointer message [F2 pp pp] will be transmitted. (pp: the number of MIDI beats from the beginning of the song; i.e., the number of Timing Clocks divided by six.) Song Position Pointer indicates the location at which the sequencer is currently stopped. When Song Position Pointer is received in Song mode by a slave device (i.e., a de- vice whose Clock is set to EXT), it will change the location at which its song is currently stopped to match the location of the master. However on the EA-1, the length of each pattern may be different, so the master and slave will not necessarily be in

8.Data

43

8.Data

the same location. When the Start/Pause key is pressed on the master device, a Continue message is transmitted, and the song will begin playback from the currently selected position. When the slave device receives the Continue message, it will synchro- nize to the Timing Clock messages and begin playback from the current point in the song. In the same way as synchronizing the playback from the beginning of the song, you can specify the location at which playback will start, and then playback in synchronization. If you use the dial or Select keys to fast-for- ward or rewind while the song is playing, Song Position Pointer messages will not be transmitted. Be aware that if you perform these operations during synchronized playback, the synchro- nization will be lost. Also, even if Song Position Pointer mes- sages are received during playback, the playback location will not change.

Troubleshooting

The display does not light up when I press the

Power switch!

???Is the AC adapter connected?

???Is the AC adapter plugged into an AC outlet?

No sound!

???Is your amp, mixer, or headphones connected to the correct jack? (Can you playback a pattern? If so, the connections are correct.)

???Are your amp or mixer powered-on and set correctly?

???Is the master volume knob of the EA-1 raised?

9. About system exclusive messages

Manufacturers are free to use system exclusive messages in any way they choose, and these messages are used mainly to trans- mit and receive parameters that are specific to particular de- vices, such as sound data and editing data.

The system exclusive message format of the EA-1 is [F0, 42, 3n, 51, ... F7] (n: exclusive channel).

However, some system exclusive messages have been defined for use in a specific way, and these are called "universal system exclusive messages."

Of the several different universal system exclusive messages, the EA-1 supports the following one.

- When an Inquiry Message Request [F0, 7E, nn, 06, 01, F7] is received, the EA-1 will transmit an Inquiry Message [F0, 7E, nn, 06, 02, (nine bytes), F7] that means "I am a Korg EA-1 and my system version is ..."

10. Transmitting sound setting

data (Data Dump)

Song, Pattern, or All (song, pattern, global) data can be trans- mitted as MIDI exclusive data, and stored on an external de- vice. This data is transmitted by the MIDI mode Dump com- mand. The channel used for transmission and reception of this data is set by the MIDI mode MIDI ch setting. Data dumps are also transmitted when a Data Dump Request message is re- ceived.

11. Editing sounds etc.

By sending MIDI exclusive data dumps, you can rewrite all patterns or individual programs. By using NRPN messages in Pattern mode, you can edit the knobs that are active for each part.

Sound does not stop!

???When a pattern is played back, it will continue playing re- peatedly. When you are finished listening to a pattern, press the Stop/Cancel key (p.13).

Sounds or operations are different than when I ed-

ited!

???Did you perform the Write operation after editing? (p.33, 38) After you have edited, you must perform the Write opera- tion before switching songs or patterns, or turning off the power.

???Did you edit the selected pattern or song after writing it?

Can't control via MIDI!

??? Is the MIDI cable or special cable connected correctly?

When playing the EA-1 from an external device

???Has the EA-1 been set to receive MIDI data on the channel on which the data is being transmitted? (p.41)

???Is the MIDI mode MIDI Channel parameter set to the desired channel? (p.41)

???Are the MIDI mode MIDI Filter settings set appropriately? (p.42)

When playing an external device from the EA-1

???Does the MIDI channel of the EA-1 match the MIDI channel of the receiving device? (p.41)

Cannot write a pattern or song!

??? Is the Global mode Protect setting turned "on"? (p.40)

Playing the step keys does not sound the specified

sound!

???After editing the sound of a part, did you perform the Write operation? (p.33)

???Is the Keyboard function turned on?

???Is a motion sequence being used? (p.29)

44

8.Data

Error messages

Restoring the factory set

data

The pattern and song data with which the EA-1 is shipped from the factory is referred to as the "preloaded data," and you can restore this preloaded data back into the memory of the EA-1. When you do this, the patterns you created and the songs which use these patterns will be erased, and replaced by the preloaded data. If you wish to keep the patterns and songs you created, you must save the data on a data filer etc. before you load the preloaded data.

1.While simultaneously pressing the Transpose key and the Write key, turn on the power.

2.The display will indicate "PLd," and the Play/Pause key will blink.

3.To load the factory preloaded data, press the blinking Play/ Pause key.

This will require apporoximately 15 seconds.

To cancel, press the Stop/Cancel key.

When loading is complete, the EA-1 will return to its initial state. After several seconds the display will indicate pattern number "A01," and the EA-1 will be in Pattern mode.

Never turn off the power during the Load process. The data may be damaged.

Specifications

Power supply: DC 9 V (AC adapter included)

Power consumption: 8 W

Weight: 1.25 kg

3

Cancel

8.Data

45

8.Data

Example sounds

Detuned Saw

Sync Lead

5th Pad

Distortion Lead/Bass

Ring Mod

Deep Flange

Pulse Width Mod

46

8.Data

Blank Chart

When you have created a sound that you like, you can store the knob and key locations in this page.

8.Data

47

8.Data

48

8.Data

8.Data

49

8.Data

Pattern Name List

*Patterns and initial data for the demo song are assigned to bank D.

*The 'A' in the Style column indicates that this pattern uses Audio In for oscillator 1.

*The first pattern of each style is assigned to step keys 1...16 of the Pattern Set function.

A Bank

B Bank

C Bank

Song Name List

S01: Electribe Remix Part1

S02: Electribe Remix Part2

S03: STATION X Troyster Mix

??? Consult your local Korg distributor for more information on MIDI IMPLEMENTATION.

51

ELECTRIBE??A

1-EA

Manual Owner???s

NOTICE

KORG products are manufactured under strict specifications and voltages required by each country. These products are warranted by the KORG distributor only in each country. Any KORG product not sold with a warranty card or carrying a serial number disqualifies the product sold from the manufacturer???s/distributor???s warranty and liability. This requirement is for your own protection and safety.

E 2

KORG INC.

15 - 12, Shimotakaido 1 - chome, Suginami-ku, Tokyo, Japan.