Used for instructions intended to alert the user to the risk of death or severe injury should the unit be used improperly.

Used for instructions intended to alert the user to the risk of injury or material damage should the unit be used improperly.

* Material damage refers to damage or other adverse effects caused with respect to the home and all its furnishings, as well to domestic animals or pets.

The symbol alerts the user to important instructions or warnings.The specific meaning of the symbol is determined by the design contained within the triangle. In the case of the symbol at left, it is used for general cautions, warnings, or alerts to danger.

The symbol alerts the user to items that must never be carried out (are forbidden). The specific thing that must not be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the unit must never be disassembled.

The ??? symbol alerts the user to things that must be carried out. The specific thing that must be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the power- cord plug must be unplugged from the outlet.

??? Before using this unit, make sure to read the instructions below, and the Owner???s Manual.

................................................................................................

??? Do not open or perform any internal modifi- cations on the unit.

................................................................................................

???Do not attempt to repair the unit, or replace parts within it (except when this manual provides specific instructions directing you to do so). Refer all servicing to your retailer, the nearest Roland Service Center, or an

authorized Roland distributor, as listed on the ???Information??? page.

................................................................................................

??? Never use or store the unit in places that are:

??? Subject to temperature extremes (e.g., direct sunlight in an enclosed vehicle, near a heating duct, on top of heat-generating equipment); or are

???Damp (e.g., baths, washrooms, on wet floors); or are

???Humid; or are

???Exposed to rain; or are

???Dusty; or are

???Subject to high levels of vibration.

................................................................................................

???Make sure you always have the unit placed

so it is level and sure to remain stable. Never place it on stands that could wobble, or on inclined surfaces.

................................................................................................

??? The unit should be connected to a power

supply only of the type described in the operating instructions, or as marked on the

unit.

................................................................................................

??? Use only the attached power-supply cord.

.

................................................................................................

???Do not excessively twist or bend the power cord, nor place heavy objects on it. Doing so can damage the cord, producing severed

elements and short circuits. Damaged cords are fire and shock hazards!

................................................................................................

???This unit, either alone or in combination with an amplifier and headphones or speakers, may be capable of producing sound levels that could cause permanent hearing loss. Do not operate for a long period of time at a high

volume level, or at a level that is uncom- fortable. If you experience any hearing loss or ringing in the ears, you should immediately stop using the unit, and consult an audiol- ogist.

................................................................................................

???Do not allow any objects (e.g., flammable material, coins, pins); or liquids of any kind

(water, soft drinks, etc.) to penetrate the unit.

??? In households with small children, an adult should provide supervision until the child is capable of following all the rules essential for

the safe operation of the unit.

................................................................................................

??? Protect the unit from strong impact.

(Do not drop it!)

................................................................................................

???Do not force the unit???s power-supply cord to share an outlet with an unreasonable number of other devices. Be especially careful when using extension cords???the total power used by all devices you have connected to the extension cord???s outlet must never exceed the power rating (watts/amperes) for the

extension cord. Excessive loads can cause the insulation on the cord to heat up and eventually melt through.

................................................................................................

??? Before using the unit in a foreign country,

consult with your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the ???Information???

page.

................................................................................................

???DO NOT play a CD-ROM disc on a conven- tional audio CD player. The resulting sound may be of a level that could cause permanent

hearing loss. Damage to speakers or other system components may result.

................................................................................................

??? The unit should be located so that its location

or position does not interfere with its proper ventilation.

................................................................................................

??? Always grasp only the plug on the power-

supply cord when plugging into, or unplugging from, an outlet or this unit.

................................................................................................

??? Try to prevent cords and cables from

becoming entangled. Also, all cords and cables should be placed so they are out of the reach of children.

................................................................................................

??? Never climb on top of, nor place heavy objects on the unit.

................................................................................................

??? Never handle the power cord or its plugs with wet hands when plugging into, or unplugging from, an outlet or this unit.

................................................................................................

??? Before moving the unit, disconnect the power

plug from the outlet, and pull out all cords from external devices.

................................................................................................

??? Before cleaning the unit, turn off the power

and unplug the power cord from the outlet (p. 18).

................................................................................................

??? Whenever you suspect the possibility of

lightning in your area, pull the plug on the power cord out of the outlet.

................................................................................................

Power Supply

???Do not use this unit on the same power circuit with any device that will generate line noise (such as an electric motor or variable lighting system).

???Before connecting this unit to other devices, turn off the power to all units. This will help prevent malfunctions and/or damage to speakers or other devices.

Placement

???Using the unit near power amplifiers (or other equipment containing large power transformers) may induce hum. To alleviate the problem, change the orientation of this unit; or move it farther away from the source of interference.

???This device may interfere with radio and television reception. Do not use this device in the vicinity of such receivers.

???Noise may be produced if wireless communications devices, such as cell phones, are operated in the vicinity of this unit. Such noise could occur when receiving or initiating a call, or while conversing. Should you experience such problems, you should relocate such wireless devices so they are at a greater distance from this unit, or switch them off.

???To avoid possible breakdown, do not use the unit in a wet area, such as an area exposed to rain or other moisture.

Maintenance

???For everyday cleaning wipe the unit with a soft, dry cloth or one that has been slightly dampened with water. To remove stubborn dirt, use a cloth impreg- nated with a mild, non-abrasive detergent. After- wards, be sure to wipe the unit thoroughly with a soft, dry cloth.

Additional Precautions

???Please be aware that the contents of memory can be irretrievably lost as a result of a malfunction, or the improper operation of the unit. To protect yourself against the risk of loosing important data, we recommend that you periodically save a backup copy of important data you have stored in the unit???s memory on a storage device (e.g., hard disk or floppy disk).

???Unfortunately, it may be impossible to restore the contents of data that was stored on a storage device once it has been lost. Roland Corporation assumes no liability concerning such loss of data.

???Use a reasonable amount of care when using the unit???s buttons, sliders, or other controls; and when using its jacks and connectors. Rough handling can lead to malfunctions.

???Never strike or apply strong pressure to the display.

???When connecting / disconnecting all cables, grasp the connector itself???never pull on the cable. This way you will avoid causing shorts, or damage to the cable???s internal elements.

???A small amount of heat will radiate from the unit during normal operation.

???To avoid disturbing your neighbors, try to keep the unit???s volume at reasonable levels. You may prefer to use headphones, so you do not need to be concerned about those around you (especially when it is late at night).

???When you need to transport the unit, package it in the box (including padding) that it came in, if possible. Otherwise, you will need to use equivalent packaging materials.

???Use a cable from Roland to make the connection. If using some other make of connection cable, please note the following precautions.

???Some connection cables contain resistors. Do not use cables that incorporate resistors for connecting to this unit. The use of such cables can cause the sound level to be extremely low, or impossible to hear. For information on cable specifications, contact the manufacturer of the cable.

???Before you open the included CD-ROM, you must read the ???license agreement.??? Opening the CD-ROM will be taken to mean your acceptance of the license agreement.

Handling CD-ROMs

???Avoid touching or scratching the shiny underside (encoded surface) of the disc. Damaged or dirty CD- ROM discs may not be read properly. Keep your discs clean using a commercially available CD cleaner.

Copyright

???When exchanging audio signals through a digital connection with an external instrument, this unit can perform recording without being subject to the restrictions of the Serial Copy Management System (SCMS). This is because the unit is intended solely for musical production, and is designed not to be subject to restrictions as long as it is used to record works (such as your own compositions) that do not infringe on the copyrights of others. (SCMS is a feature that prohibits second-generation and later copying through a digital connection. It is built into MD recorders and other consumer digital-audio equipment as a copyright-protection feature.)

???Do not use this unit for purposes that could infringe on a copyright held by a third party. We assume no responsibility whatsoever with regard to any infringements of third-party copyrights arising through your use of this unit.

Function Organization and Signal Flow

The diagram below shows how the functions are organized, and how the signals flow.

Flow Signal and Organization Function

bypass equalizer

??? off/on

??? attenuater

??? frequency

??? gain

??? Q

??? type

pre-amp modeling

???off/on

???type

???warm

???bright

???harmonic

power

recorder

Use the included power cable to connect the unit with a power source.

rear panel

Set Up and Basic Operations

Connecting the Input Device

Microphone Input (MIC IN)

Use the XLR or phone plug to connect the input device.

* Microphone input for the unit uses a balanced-type (XLR/TRS) jack which is wired as shown in the figure. Check the wiring of the device you want to connect and make the connection.

Depending on the specifications of the input device, the phase of the sound may be inverted, resulting in input that is not correct. If this happens, refer to ???Phase??? (p. 18).

If you???re connecting a microphone that requires a phantom power source, refer to ???Phantom

Power (+48V)??? (p. 17).

Phantom power is not suppled to phone jacks.

Connecting the Output Equipment

Line Output (LINE OUT)

Use an XLR-type plug to make the connection for output to a mixer, recorder, or the like.

??? Setting the Output Level

Select level switching [OUTPUT LEVEL] on rear panel. Level should be selected in accordance with output destination device. This value serves as the reference for the output level.

Generally, commercial equipment is designed for +4 dBu, while consumer equipment is designed for -16 dBu.

??? Turning On the Power

Once you???ve got everything hooked up properly, you can turn on the power???but make sure to follow the order shown below. Should you neglect to follow the correct order, you risk causing malfunction, or damage to your speakers.

*To protect its circuitry, the unit requires a few moments after power is switched on before it is ready for normal operation.

1.Make sure all devices are turned off.

2.Make sure the volume level on all equipment is turned down.

3.Press the Power switch (POWER) on the rear panel. When the unit starts

normally, the display shows the model name, then changes to the Patch-selection screen. (If you perform no operation after that, the screen then

changes to the input meter.)

4.Turn on the other audio equipment.

5.Turn up the volume to an appropriate level on the other audio equipment.

???Now sound can be produced.

For information on how to turn off the power, please read ???Turning Off the Power??? (p. 18).

The positioning of the microphone and speakers may produce feedback whine. If this happens, try using the methods below to correct the problem.

???Change the direction of the microphone.

???Move the microphone and speakers farther apart.

???Lower the volume level.

Operations Basic and Up Set

Set Up and Basic Operations

Patch Selection (SELECT)

The alphabet character shown upper left side of the patch number is showing the status of patch.

(U) to be indicated if it is a user patch. (P) to be indicated if it is a preset patch.

You cannot customize the preset patch. But it is possible to customize the parameter of preset patch and save as a new user patch.

1. Press the [PATCH] button a number of times, until it lights in green. You are now in the mode where you can choose a patch.

2.Turn the left Value control to choose a patch.

3.Press the [ENTER] button to confirm your selection.

The patch currently selected will be shown at first in patch selection screen. If you turn around the knob, the status changes and let you select other patch. You will see the currently selected patch while turning around the knob. This to show the patch in saved status.

For example, once you select patch A and customize parameters, it is different from saved status of patch A. However, it isn't saved yet. If you turn around the knob and re-select patch A, the parameter before your customize will be shown.

Saving a Patch (STORE PATCH)

Save current status as a new user patch

*The patch stored in the memory area disappears and to be replaced by newly created patch.

*Only the user patch area will be shown as memory area.

1.Press the [PATCH] button a number of times, until it lights in red. You are now

in the mode where you can choose the destination for saving.

2.Turn the left Value control to choose the patch to serve as the destination for saving.

3.Use the center Value control to move the cursor, and use the right Value control to choose characters. Repeat this to enter the patch name.

4.Press [ENTER]. Your confirmation will be requested.

5.Re-press [ENTER]. The patch will be saved. Once the saving procedure is

completed, system go back to normal screen after indicating [Completed] on screen.

Resetting Effect Parameters (RESET)

This resets the effect parameter to the values shown below. This is the status with almost no effect. If you want to set effect parameter completely from zero, this shall be executed. You can apply this to all effects or to just one.

1.Press the [PATCH] button several times to display ???RESET PATCH.??? The button lights up in orange.

2.Use the left Value control to choose the target effect or effects for the [RESET] operation. Choosing ???ALL??? resets all effects.

3.Press [ENTER]. Your confirmation will be requested.

Operations Basic and Up Set

Set Up and Basic Operations

Settings for the Analog Inputs

??? Pad

Pressing either of these switches attenuates the MIC IN input signal by 20 dB. You use these at times such as when devices other than microphones are connected. Press them again to cancel.

??? Sensitivity (SENS)

These adjust the input sensitivity. You can perform adjustments within a range of -64 dBu to -16 dBu (within a range of -44 dBu to +4 dBu when PAD is depressed).

When a microphone input has nothing connected to it, it may be a good idea to press the

PAD switch and leave the SENS control set at +4 dBu. This suppresses the amount of noise

sent to the unit.

??? Peak Indicator

The peak indicator lights up when the input level from microphone input jacks exceeds the value set for PEAK. At the factory default setting, it lights up at -3 dBu. To change this, follow the steps below.

1. Press the [SYSTEM] button several times to display ???PEAK.??? The button lights up in orange.

2.Turn the center Value control to change the settings.

??? 0 dB???: The indicator lights up when the input sound is distorted.

???-3 dB???: The indicator Lights up at -3 dB from the level at which sound will distort.

???-6 dB???: Lights up at -6 dB from the sound-distortion level.

??? Phantom Power (+48V)

These switch the phantom power supply on and off. When a condenser microphone or other microphone that requires a power source is connected to the corresponding MIC IN jack, set this to ???ON.???

Phantom power is not supplied to 1/4 inch TRS phone jacks. If your microphone requires phantom power, please connect it to XLR jacks.

Turn this on only when a condenser microphone requiring a phantom power source is connected. Otherwise, leave it off. Supplying phantom power to a dynamic microphone or audio playback equipment may cause malfunction, so carefully check the documentation for the connected device and make the setting accordingly. (The spec for the phantom power source for this unit is DC 48 V and 7 mA when the output is shorted.)

The phantom power source of MMP-2 can drive Condenser Microphones with electrical specification 6.0mA or lower at 48V. Microphones that require more ampere is not supported. Please use phantom power supply devices separately.

To prevent hazard or damage, ensure that only microphone cables and microphones designed to

IEC-268-15A are connected.

Afin d???eviter tout risque ou dommage, ne brancher que des cables de microphone et des

microphones conformes a la norme IEC-268-15A.

*The unit is designed not to produce noise when switching the phantom setting, but just to be on the safe side, turn down the volume level before switching the setting.

1.Press the [PHANTOM,PHASE,LO-CUT] button to display ???+48V.???

2.Use the left Value control to switch between ???ON??? and ???OFF.???

3.Press the [ENTER] button to confirm your selection.

Operations Basic and Up Set

Using Effects

The effects this unit provides are divided into four groups, which are respectively assigned to the four [EDIT SELECT] buttons [MODEL], [EQ], [DYNAMICS], and [PLUG IN].

The functional algorithms are pre-set according to the types of patches (p. 14). Each patch includes the setting of algorithms. Users cannot control such algorithms. The [EDIT SELECT] button of each effect lights to show that the effect is available in this patch.

If you press [EDIT SELECT] buttons of effects that are not functioning, ???Can???t edit. No effects module.??? will be displayed.

The steps for effect operations are as follows.

1.Press the [EDIT CH SELECT] button to select the channel you want to work on.

2.Press the [EDIT SELECT] button to select the effect you want to manipulate.

3.If the screen for the parameter you want to change for does not appear, use the [PAGE] buttons to scroll through the screens.

* While adjusting some parameters such as effect ???TYPE???, you may hear short click noise. This is not a malfunction.

You can call up and use any of a variety of grouped settings (Patches) suited to different uses and environments that are stored in memory. You can also save settings you have changed as patches. (???Patches??? (p. 14))

BYPASS

This has the same effect as setting the Effect ON/OFF parameter to OFF. (However, the setting for the ON/OFF parameter does not change.) The Dynamics settings have a number of switches, and they are all bypassed at one time.

Pressing the [BYPASS] button makes the button light up red, and in this state effects are bypassed. Press again to cancel.

Mic Modeling

This effect models the sound characteristics of certain types of expensive microphones. It works best when the input source you use matches the settings available in the processor. For example, the effect is optimized if you use an AKG C3000B or a Roland DR-20 microphone as the source microphone and then choose the output microphone whose characteristics you would like to model. You can also edit the modeling effect by changing microphone proximity or distance effects, and other qualities.

Mic Modeling OFF/ON (MODEL)

This is the On/Off switch for the microphone modeling.

Reference Microphone (INPUT)

This table shows the optimum choices for the microphones or inputs to use when using the microphone modeling effect.

When you use modeling, specify the microphone used when making the recording or pick the choice closest to the microphone you used.

Effects Using

Using Effects

Because you can make the settings anywhere within this range, it???s even possible, for instance, to set all four points so they???re stacked at the same location, and create a sharp filter.

* A frequency 3 dB lower than the flat portion of the response curve is taken to be the cutoff frequency.

Gain (GAIN)

This sets the amount by which the volume is to be increased/decreased. You can set a value within a range of ??15.0 dB for each reference frequency.

Q (Q)

This sets the sharpness for peaks and valleys. You can set a value within a range of 0.36 to 16 for each frequency band. When the filter type is ???LPF2??? or ???HPF2,??? making the Q larger makes the cutoff frequency band more prominent.

On an historical note, with analog peaking equalizers and the like, the sharpness of the peaks that occur in the response curve changes according to the performance of the coils in the resonance circuit. For this reason, the value Q (quality factor) is used to indicate coil performance.

Filter Type (TYPE)

This chooses the type of filter for each frequency band. The available filter parameters change according to which type of filter you choose to use. Unavailable parameters are indicated by ???no.???

Dynamics

This is a group of effects that dynamically control the amount of change in the output level based on the input level.

??? Compressor

This suppresses or lowers the output level of loud sounds to reduce changes in volume. Input signals that exceed the threshold are suppressed by an amount determined by the Ratio parameter.

Compressor OFF/ON (COMP)

This is the On/Off switch for the compressor effect.

Effects Using

Using Effects

??? Expander

This lowers or suppresses, at a constant ratio, low-volume sounds that do not reach the threshold. It is effective for low-volume noise.

Expander OFF/ON (EXP)

This is the On/Off switch for the expander effect.

Key In Channel (KEY IN)

The expander cuts off when the input level of the channel specified here exceeds the threshold. You can choose either channel 1 or channel 2. Normally the same channel is specified, but a different channel may be specified for special uses. For example, specifying a snare drum input as the key-in lets you produce sound on the other channel when you strike the drum.

Threshold (THRESH)

Input smaller than this is suppressed according to the ratio. You can set a value from -80 dB to 0 dB.

Compression Ratio (RATIO)

This is the ratio for lowering or suppressing sound that does not reach the threshold. You can set a value from 1.00 to infinity. When you set the Ratio to Infinity, no sound is passed when the input sound doesn???t get over the Threshold level. This is the same effect as using a Gate.

Attack Time (ATTACK)

This sets the time after the input signal falls below the threshold until the expander effect is applied completely. You can set a value from 0.0ms to 800.0ms.

Release Time (RELEAS)

This sets the time after the input signal exceeds the threshold until the expander effect disappears completely. You can set a value from 0ms to 8000ms

??? Enhancer/De-esser

Enhancer/De-esser OFF/ON (ENH/DE)

This is the On/Off switch for the enhancer/de-esser effect.

Switching Between Enhancer and De-esser (TYPE)

This is the switch for choosing either the de-esser or the enhancer.

???ENH???: This augments the harmonics of human vocals, making the sound more distinct. When the high-frequency content is deficient, it is increased.

???DES???: This suppresses harsh sibilant consonants, for a softer sound. When the high-frequency content is excessive, it is reduced.

Sensitivity (SENS)

In case the high frequency sound reaches certain level, this unit increases/decreases the level. The certain level can be set in 100 steps (from 0 to 100).

Frequency (FREQ)

This is to set the border of high frequency sound. The border can be set from 500 Hz to 20.0k Hz.

Effects Using

Using Effects

Bright

This parameter adjusts the brightness of the input sound by changing the high frequency content's balance.

Brightness Frequency (BRT F)

This sets the lower limit of this parameter. The sound components that are of a higher frequency than this parameter will be adjusted. You can set a value from 1.00k Hz to 20.0k Hz.

Brightness Gain (BRT G)

This parameter adjusts the brightness of the signal above the value set with the Brightness Frequency parameter.You can set a value within a range of ??6.0 dB.

Harmonic

This adjusts the color and balance of the sound's harmonics

Harmonic Threshold (HRM TH)

This sets the threshold for the Harmonic Balance control. If the sound level exceeds this level, the harmonics control will function. You can set a value from -24 dB to 0.0 dB.

Harmonic Level (HRM LV)

This sets the value of the harmonic control. You can set a value in 100 steps (from 0 to 100).

Harmonic Color (HRM CL)

This sets the value of the harmonic distortion. You can set a value in 100 steps (from 0 to 100).

Effects Using

Examples of Use

This section shows some examples of how you can use the MMP-2.

* Before hooking up or turning on any equipment, make sure the volume on all devices is turned down.

Analog Input to Analog Output

The microphone input is output from the MMP-2 as an analog signal and sent to a recording device or a mixer.

1. Connect the microphone to [MIC IN].

2. Connect the destination device to [LINE OUT].

3. Use the [PHANTOM/PHASE/LO-CUT] buttons and other controls to set the phantom power setting so it matches the type of microphone (p. 17).

4.Use the [METER] button to display the input meter.

5.Refer to the meters and the [PEAK] indicator and adjust the [PAD] and [SENS] settings.

Analog Input to Digital Output

The microphone input is output from the MMP-2 as an S/PDIF-standard digital signal and sent to a recording device or the like. (The AES/EBU-standard jacks can also be used in the same way.)

1. Connect the microphone to [MIC IN].

2. Connect the destination device to [DIGITAL OUT].

3. Use the [PHANTOM/PHASE/LO-CUT] buttons and other controls to set the phantom power setting so it matches the type of microphone (p. 17).

4.Use the [METER] button to display the input meter.

5.Refer to the meters and the [PEAK] indicator and adjust the [PAD] and [SENS] settings.

6.Use the [SYSTEM] button and other controls to set ???CLOCK??? to ???INT,??? to set ???FREQ??? to an appropriate value for the destination device, and to set ???AUDIO??? to ???MIC??? (p. 26).

7.Make the clock setting on the destination device.

Use of Examples

Other Features

2. Press [PAGE] button several times to display ???RECOVER??? on screen.

3.Operate external devices like computer to start sending/receiving signal.

???Route

Select one of the following routings from input to output. Take ???NORM??? as a normal rule.

1.Press the [SYSTEM] button several times to display ???ROUTE.??? The button lights up in orange.

2.Turn the right Value control to make the selection.

???NORM???: The normal routing.

???P IN???: This divide signal flow into two routes. DSP* can be inserted into

each route individually. This would be suitable for creating ???Channel divider??? which divides audio signal into various outputs according to its frequency range.

???P OUT???: This divides signal flow into two routes after DSP* insertion. Two divided signals must always be same.

??? Initializing

This returns the contents of memory to their factory defaults.

Initializing erases any parameters or patches you have set yourself. Once they are lost, they cannot be recovered. Save your settings to a computer if you want to save them before initializing. (???Backup Patch??? (p. 28), ???Use of computer and setup??? (p. 30))

1. Press the [SYSTEM] button a number of times, until it lights in orange.

2. Press the [PAGE] buttons several times until the message ???INITIALIZE??? appears.

3.Use the left Value control to choose the target for the initializing.

???SYSTEM???: system parameters

???USER PATCHES???:user???s effect patches

???ALL???:both

4. Press [ENTER]. Your confirmation will be requested.

5.Re-press [ENTER]. The system will be initialized. Once it's initialized, system

go back to normal screen after indicating [Completed] on screen.

* If you don???t want to initialize, press any button other than [ENTER].

Features Other

5.In the ???Open??? field of the dialog box that appears, enter

???Q:\Driver\WinMe_98\Setupinf.exe??? and click ???OK.???

*Enter the drive name Q: appropriate for the drive name of your CD-ROM drive.

*To check the drive name of your CD-ROM drive, double-click the My Computer icon.

6.The SETUPINF dialog box will appear, and the display will indicate ???Ready to install the driver.-???

*If the ???Ready to install the driver.?????? dialog box does not appear, go to the MMP-2 Driver & Software CD-ROM, open the file Driver\WinMe_98\Readme_e.htm, and read the section entitled ???Installation.???

*If the display indicates ???The driver is already installed.-???, you can connect the MMP-2???s USB cable to the computer and use it.

*If the display indicates ???The driver was not deleted completely.-???, refer to ???Deleting the MMP-2 Driver???(p. 32) to re-install it.

Q:\Driver\WinMe_98\Setupinf.exe

MMP-2

MMP-2.

Q:\DRIVER\WINME_98

9.In some cases, the ???Insert Disk??? dialog box may appear. Click ???OK.???

10.The ???New Hardware Found??? dialog box will appear. In the ???Copy files from??? area, input

???Q:\Driver\WinMe_98??? and click the ???OK??? button. Installation will be completed.

*Change the drive name Q: to match the drive name of your CD- ROM drive. For example if your CD-ROM drive is named D:, you would input ???D:\Driver\WinMe_98???.

11.Click ???OK??? button in the ???SETUPINF??? dialog box.

'Roland MMP-2 USB Driver Installation Disk',

7

'Roland

MMP-2 Driver Installation Disk'

Q:\Driver\WinMe_98

4.If the ???Apple Talk??? dialog box appears, click [Turn It Off].

Then, in the dialog box that appears next, click [OK].

5.The ???Create a New Studio setup??? dialog box will appear.

Click [OK].

*If the ???Create a New Studio setup??? dialog box does not appear, click [New Studio setup] in the [File] menu.

*If an error dialog box is displayed during the setup, make the OMS settings once again.

6.The ???OMS Driver Search??? dialog box will appear. Click [Search].

7.When the search ends, verify that Roland MMP-2 is listed in the OMS driver setting dialog box, and click [OK].

Use of computer and setup

setup and computer of Use

Use of computer and setup

2.Click [Install].

If the dialog box that all other currently-running applications will be exited appears, click [Continue].

3.If the following message appears, click [Continue] and all other currently-running applications will be exited, and installation will continue.

4.When installation is completed, the following dialog box will appear. Click [Restart] to restart your Macintosh.

FreeMIDI settings

1.Use the USB cable to connect the MMP-2 and your computer.

MMP-2

USB connector

USB cable

2.Turn on the power of the MMP-2.

*Once the connections have been completed, turn on power to your various devices in the order specified. By turning on devices in the wrong order, you risk causing malfunction and/or damage to speakers and the other devices.

3.Open the ???FreeMIDI Applications??? folder, and double-click the ???FreeMIDI Setup??? icon.

setup and computer of Use

9.A setting window like the following will appear. Change ???MMP-2, MMP-2 Port??? to different name like

???MMP-2 interface???. Change ???Device1??? to different name like ???MMP-2???.

*If the name is same, it may be possible for some MIDI application to confuse the name of interface or connected equipment.

*This is one example of a setting window. The window that appears will depend on your setup.

10.From the File menu, select [Save], and save your settings.

11.Select [Quit] from the File menu to exit FreeMIDI.

This completes driver settings.

Functions work in conjunction with computers

??? Backup Patches

You can save user patch to computers or sequencers (BACKUP) and load it from those (RECOVER). You can transfer your user patch to another MMP-2 using this function. Operation from MMP-2 editor is shown on adopted CD-ROM ???ReadMe???.

??? Intuitive operation of MMP-2 using MMP-2 editor

Using MMP-2 on computer, you can execute intuitive customize of graph curve of equalizer/dynamics. Operation from MMP-2 editor is shown on adopted CD-ROM ???ReadMe???.

setup and computer of Use

Trouble Shooting about Computer

*Please read the ???ReadMe??? file in the MMP-2 Driver & Software CD-ROM. You can get any additional information not written in the owner???s manual from the ???ReadMe??? file.

Windows users

USB connections cannot be made correctly.

???Has the MMP-2 been recognized?

Disconnect the USB cables, and then re-connect them.

It is possible that the computer has failed to recognize or initialize the MMP-2. Leave the USB cable connected to the MMP-2, and restart Windows. If connection still does not occur, exit Windows, and turn off the power of your computer. Then turn on the power of your computer and start Windows.

Cannot shift to Suspend*

???Is an application which uses the MMP-2 running?

Exit the application which is using the MMP-2.

The computer cannot shift to Suspend mode if an application such as a sequencer is using the MMP-2.

What is Suspend?

This is a function which minimizes power consumption by shutting down the internal circuitry of the computer and the peripheral devices while the power remains supplied to the computer.

MMP-2 does not resume correctly from the suspended state

???When suspended, was the MMP-2 still connected via the USB cable?

Disconnect the USB cable, and then re-connect it.

On some computers when Windows resumes from the suspended state, the MMP-2 may fail to resume. If this occurs, the USB cable connected to the MMP-2 should be disconnected and then reconnected.

Windows hangs up (freezes) when returning from the suspended state

Disconnect the USB cable before suspending.

On some computers when Windows resumes from the suspended state, it may hang up (freeze). If this occurs, the USB cable connected to the MMP-2 should be disconnected before suspending.

When you once again wish to use the MMP-2, make sure that the computer has resumed correctly from the suspend state, and then connect the USB cable to the MMP-2.

*If the computer itself has a suspend switch, the USB cable connected to the MMP-2 should be disconnected before you press that switch.

*For a notebook computer, some settings of the computer may cause it to automatically enter suspend mode when the lid (LCD display) is closed, so the USB cable connected to the MMP-2 should be disconnected before the lid is closed.

Does not work with Windows 95

It will not operate on Windows 95.

Computer about Shooting Trouble

Trouble Shooting about Computer

Cannot make USB connections correctly

???Was the MMP-2 recognized?

Disconnect the USB cable, and then re-connect it.

If another USB device is connected, try connecting only the MMP-2.

It is possible that the computer did not correctly recognize or initialize the MMP-2. Leave the USB cable connected to the MMP-2, and restart your Macintosh. If the connection is still not achieved, exit your Macintosh and turn off the power of the computer. Then turn on the power of the computer once again, and start up your Macintosh.

The computer cannot recognize the MMP-2 when the USB connector of Macintosh???s keyboard is used. Re- connect the USB cable to the USB connector of the main body.

The MMP-2 does not recover correctly from sleep mode

After your Macintosh has been in sleep mode, exit the software and re-start it.

* We recommend that you make Energy saving settings in the Control panel so that your computer does not enter sleep mode.

Macintosh hangs up

???Did you try to plug and unplug USB cable during the booting of MMP-2 editor?

It is possible for your Macintosh to hang in case plugging and unplugging of USB cable is done during the MMP-2 editor is booting. Please do plugging and unplugging with confirmation that MMP-2 editor is not booted.

???Did you try to communicate with MMP-2 without establishing connection via USB?

It is possible to hang or freeze if you try to send data from the MMP-2 Editor to MMP-2 unit without turning the power of MMP-2 unit on or connecting your Macintosh with MMP-2 unit using USB cable. Please confirm MMP-2 unit and your Macintosh is correctly connected via USB and the power of MMP-2 unit is turned on before the communication of MMP-2 Editor and MMP-2 unit.

???Did you booted MMP-2 editor before turning the power of MMP-2 unit on?

MMP-2 editor is set to obtain setup status of MMP-2 unit immediately after booting. In order to avoid hanging or freezing, please boot up MMP-2 editor after connection of MMP-2 unit with your Macintosh and turning the power on.

Computer about Shooting Trouble

???Channel Voice message

???Polyphonic Key Pressure

Transmits the level meter value of MMP-2(MIDI ch. is fixed to 16.)

00dB

1-1dB

2-2dB

:

???Control Change

Switches the group of effect patch (MIDI ch. is fixed to 16.)

???Program Change

Switches the effect patch (MIDI ch. is fixed to 16.)

???System Exclusive Message

The MMP-2 can transfer and receive the internal parameters information using system exclusive messages, and also can be controlled by the external devices using system exclusive message.

The MMP-2 can transmit and receive Universal System Exclusive messages, Data Request (RQ1) and Data set (DT1) as the System Exclusive Message.

???About Model ID

The Model ID of the MMP-2 is 00H,4EH as for Data Request (RQ1) and Data set (DT1).

???Universal System Exclusive Message

???INQUIRY MESSAGE

???Identity Request

The message is used to request the particular information of the MMP-2. The MMP-2 does not transmit the message.

If the MMP-2 received the message and the device ID of the message is same as its device ID or 7FH, the MMP-2 transmits the following Identity Reply message.

???Identity Reply

The message is used to request data to the MMP-2.

The MMP-2 does not transmit this message.

The MMP-2 transmits the requested data using Data Set(DT1) under following condition when it received the message.

1.The requested address correspond to the specified parameter base address of the MMP-2.

2.The requested size is over 1 byte.

???The message is received under the following condition.

If the device ID on the message is same as that of the receive device, and the address on the message correspond to the specified parameter base address, the received data are stored from the specified parameter base address.

If the interval of received messages is shorter than 25m sec., the MMP-2 can not work the receive message procedure correctly.

???The message is transmitted under the following condition.

+????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????+

|==========+=========+===================================================| | 01 00 | 00 ??? 01 | Phantom Power 1OFF, ON | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 01 01 | 16 ??? 46 | ATT 1(0dB:40H) ???42 ??? +6dB | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 01 02 | 00 ??? 01 | Phase 1NORMAL, INVERT | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 01 03 | 00 | (Reserved)| |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 01 04 | 00 ??? 51 | LO???Cut 1TURU,20 ??? 2.00kHz | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????|

|??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 01 10 | 00 ??? 01 | Phantom Power 2OFF, ON | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 01 11 | 16 ??? 46 | ATT 2(0dB:40H) ???42 ??? +6dB | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 01 12 | 00 ??? 01 | Phase 2NORMAL, INVERT | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 01 13 | 00 | (Reserved)| |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 01 14 | 00 ??? 51 | LO???Cut 2TURU,20 ??? 2.00kHz | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????|

|??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????|

When the MMP-2 transmit the data on the requested parameter after receiving the Data Request message(RQ1).

See ???Data Transfer Address Map??? (p. 47) for more details of the transfer parameters.

Data Transfer Address Map

The each address value is expressed as a 7bit hex number.

+????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????+ | Address | MSB || LSB | |???????????????????????????????????????????????????????????????+????????????????????????????????????????????????+????????????????????????????????????????????????+????????????????????????????????????????????????+

+????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????+

???Parameter Address Block

<Model ID = 00H 4EH>

+????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????+

|==========+=============================================================| | 00 00 00 | System Parameter| |??????????????????????????????+???????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 00 01 00 | Input Parameter| |??????????????????????????????+???????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 00 02 00 | Effect Parameter (Temp)| |??????????????????????????????+???????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 00 04 00 | Status| |??????????????????????????????+???????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 00 05 00 | Remote Operation| |??????????????????????????????+???????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 01 00 00 | Bulk Data| |??????????????????????????????+???????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????|

???System Parameter

+????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????+

|==========+=========+===================================================| | 00 00 | 00 - 01 | Master Clock(*1)INTERNAL, DIGITAL | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 00 01 | 00 - 03 | Sampling Frequency(*1) 44.1K,48K,88.2K,96KHz | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 00 02 | 00 - 01 | Audio Source(*1)MIC, DIGITAL | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????|

|??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 00 10 | 00 - 01 | USB Driver(*1)VENDER, GENELIC | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 00 11 | 00 - 1F | MIDI Device ID(*1)1,,,32 | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 00 12 | 00 - 01 | MIDI Level Meter Tx. SwitchOFF,ON | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????|

|??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 00 20 | 00 - 0F | LCD Contrast1,,,16 | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 00 21 | 00 - 02 | Peak Level Select-6,-3,0dB | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 00 22 | 00 - 02 | Effects RoutingNORM,P IN,P OUT | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????|

|??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| (*1)Read Only Parameters.

???Effect Parameters

???Basic Address

+????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????+

|==========+=========+===================================================|

|??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????|

|??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????|

|??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????|

+????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????+

???Algorithm 0 (MIC MODELING + 4 BAND EQ + DYNAMICS)

+????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????+

|==========+=========+===================================================| | 02 10 | 00 ??? 01 | LINKOFF, ON | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 11 | 00 | (Reserved)| |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 12 | 00 ??? 01 | Bypass MODEL 1OFF, ON | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 13 | 00 ??? 01 | Bypass MODEL 2OFF, ON | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 14 | 00 ??? 01 | Bypass EQ 1OFF, ON | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 15 | 00 ??? 01 | Bypass EQ 2OFF, ON | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 16 | 00 ??? 01 | Bypass DYN 1OFF, ON | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 17 | 00 ??? 01 | Bypass DYN 2OFF, ON | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????|

|??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 20 | 00 ??? 01 | MODEL 1: SWOFF, ON | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????|

|??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????|

|??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 23 | 34 ??? 4C | MODEL 1: Proximity Effect (0:40H) ???12,,,+12 | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 24 | 00 ??? 6B | MODEL 1: Timelag0,,,107 = 0,,,3000cm | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 25 | 00 ??? 01 | MODEL 2: SWOFF, ON | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????|

|??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????|

|??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 28 | 34 ??? 4C | MODEL 2: Proximity Effect (0:40H) ???12,,,+12 | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 29 | 00 ??? 6B | MODEL 2: Timelag0,,,107 = 0,,,3000cm | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????|

|??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 30 | 00 ??? 01 | EQ 1: SWOFF, ON | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 31 | 16 ??? 46 | EQ 1: ATT(0dB:40H) ???42 ??? +6dB |

|??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 32 | 01 ??? 79 | EQ 1: Low EQ Frequency20 ??? 20.0kHz | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 33 | 22 ??? 5E | EQ 1: Low EQ Gain(0dB:40H) ???15,,,+15dB | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 34 | 1E ??? 60 | EQ 1: Low EQ Q0.36,,,16.0 | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 35 | 01 ??? 79 | EQ 1: Lo???Mid EQ Frequency20 ??? 20.0kHz | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 36 | 22 ??? 5E | EQ 1: Lo???Mid EQ Gain (0dB:40H) ???15,,,+15dB | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 37 | 1E ??? 60 | EQ 1: Lo???Mid EQ Q0.36,,,16.0 | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 38 | 01 ??? 79 | EQ 1: Hi???Mid EQ Frequency20 ??? 20.0kHz | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 39 | 22 ??? 5E | EQ 1: Hi???Mid EQ Gain (0dB:40H) ???15,,,+15dB | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 3A | 1E ??? 60 | EQ 1: Hi???Mid EQ Q0.36,,,16.0 | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 3B | 01 ??? 79 | EQ 1: Hi EQ Frequency20 ??? 20.0kHz | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 3C | 22 ??? 5E | EQ 1: Hi EQ Gain(0dB:40H) ???15,,,+15dB | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 3D | 1E ??? 60 | EQ 1: Hi EQ Q0.36,,,16.0 | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 3E | 00 ??? 02 | EQ 1: Low???Type0,,,9 = PEAK,,,THRU | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 3F | 00 ??? 02 | EQ 1: Lo???Mid Type0,,,9 = PEAK,,,THRU | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 40 | 00 ??? 02 | EQ 1: Hi???Mid Type0,,,9 = PEAK,,,THRU | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 41 | 00 ??? 02 | EQ 1: Hi Type0,,,9 = PEAK,,,THRU | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 42 | 00 ??? 01 | EQ 2: SWOFF, ON | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 43 | 16 ??? 46 | EQ 2: ATT(0dB:40H) ???42 ??? +6dB | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 44 | 01 ??? 79 | EQ 2: Low EQ Frequency20 ??? 20.0kHz | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 45 | 22 ??? 5E | EQ 2: Low EQ Gain(0dB:40H) ???15,,,+15dB | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 46 | 1E ??? 60 | EQ 2: Low EQ Q0.36,,,16.0 | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 47 | 01 ??? 79 | EQ 2: Lo???Mid EQ Frequency20 ??? 20.0kHz | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 48 | 22 ??? 5E | EQ 2: Lo???Mid EQ Gain (0dB:40H) ???15,,,+15dB | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 49 | 1E ??? 60 | EQ 2: Lo???Mid EQ Q0.36,,,16.0 | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 4A | 01 ??? 79 | EQ 2: Hi???Mid EQ Frequency20 ??? 20.0kHz | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 4B | 22 ??? 5E | EQ 2: Hi???Mid EQ Gain (0dB:40H) ???15,,,+15dB | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 4C | 1E ??? 60 | EQ 2: Hi???Mid EQ Q0.36,,,16.0 | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 4D | 01 ??? 79 | EQ 2: Hi EQ Frequency20 ??? 20.0kHz | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 4E | 22 ??? 5E | EQ 2: Hi EQ Gain(0dB:40H) ???15,,,+15dB | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 4F | 1E ??? 60 | EQ 2: Hi EQ Q0.36,,,16.0 | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 50 | 00 ??? 02 | EQ 2: Low???Type0,,,9 = PEAK,,,THRU | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 51 | 00 ??? 02 | EQ 2: Lo???Mid Type0,,,9 = PEAK,,,THRU | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 52 | 00 ??? 02 | EQ 2: Hi???Mid Type0,,,9 = PEAK,,,THRU | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 53 | 00 ??? 02 | EQ 2: Hi Type0,,,9 = PEAK,,,THRU | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????|

|??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 60 | 00 ??? 01 | DYN 1: COMP SWOFF,ON | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????|

|??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 62 | 00 ??? 01 | DYN 1: COMP KEYININ1,IN2 | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 63 | 10 ??? 40 | DYN 1: COMP Threshold (0dB:40H) ???24 ??? 0dB | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 64 | 00 ??? 0D | DYN 1: COMP Ratio0,13 = 1.00:0,,,INF:0 | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 65 | 00 ??? 01 | DYN 1: COMP KneeHARD,SOFT | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 66 | 00 ??? 7C | DYN 1: COMP Attack0,,,800.0ms | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 67 | 00 ??? 7C | DYN 1: COMP Release0,,,8000ms | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 68 | 10 ??? 70 | DYN 1: COMP Level(0dB:40H) ???24 ??? +24dB | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 69 | 00 ??? 01 | DYN 1: COMP AutogainOFF,ON | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 6A | 00 ??? 01 | DYN 1: EXP SWOFF,ON | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 6B | 00 ??? 01 | DYN 1: EXP KEYININ1,IN2 | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 6C | 10 ??? 60 | DYN 1: EXP Threshold(0dB:60H) ???80 ??? 0dB | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 6D | 00 ??? 0D | DYN 1: EXP Ratio0,13 = 1.00:0,,,INF:0 | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 6E | 00 | (Reserved)| |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 6F | 00 ??? 7C | DYN 1: EXP Attack0,,,800.0ms | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 70 | 00 ??? 7C | DYN 1: EXP Release0,,,8000ms | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 71 | 00 ??? 01 | DYN 1: ENH/DES SWOFF,ON | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 72 | 00 ??? 01 | DYN 1: ENH/DES TypeENH,DES | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 73 | 00 ??? 64 | DYN 1: ENH Sens0,,,100 | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 74 | 39 ??? 79 | DYN 1: ENH Freq500,,,20000Hz | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 75 | 40 ??? 58 | DYN 1: ENH Mix Level(0dB:40H) 0 ??? +12dB | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 76 | 00 ??? 64 | DYN 1: DES Sens0,,,100 | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 77 | 39 ??? 79 | DYN 1: DES Freq500,,,20000Hz | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 78 | 10 ??? 40 | DYN 1: DES Rejection Level (0dB:40H) ???24 ??? 0dB | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 79 | 00 ??? 01 | DYN 2: COMP SWOFF,ON | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????|

|??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????|

| 02 7B | 00 ??? 01 | DYN 2: COMP KEYININ1,IN2 | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 7C | 10 ??? 40 | DYN 2: COMP Threshold (0dB:40H) ???24 ??? 0dB | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 7D | 00 ??? 0D | DYN 2: COMP Ratio0,13 = 1.00:0,,,INF:0 | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 7E | 00 ??? 01 | DYN 2: COMP KneeHARD,SOFT | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 7F | 00 ??? 7C | DYN 2: COMP Attack0,,,800.0ms | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 03 00 | 00 ??? 7C | DYN 2: COMP Release0,,,8000ms | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 03 01 | 10 ??? 70 | DYN 2: COMP Level(0dB:40H) ???24 ??? +24dB | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 03 02 | 00 ??? 01 | DYN 2: COMP AutogainOFF,ON | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 03 03 | 00 ??? 01 | DYN 2: EXP SWOFF,ON | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 03 04 | 00 ??? 01 | DYN 2: EXP KEYININ1,IN2 | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 03 05 | 10 ??? 60 | DYN 2: EXP Threshold (0dB:60H) ???80 ??? 0dB | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 03 06 | 00 ??? 0D | DYN 2: EXP Ratio0,13 = 1.00:0,,,INF:0 | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 03 07 | 00 | (Reserved)| |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 03 08 | 00 ??? 7C | DYN 2: EXP Attack0,,,800.0ms | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 03 09 | 00 ??? 7C | DYN 2: EXP Release0,,,8000ms | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 03 0A | 00 ??? 01 | DYN 2: ENH/DES SWOFF,ON | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 03 0B | 00 ??? 01 | DYN 2: ENH/DES TypeENH,DES | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 03 0C | 00 ??? 64 | DYN 2: ENH Sens0,,,100 | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 03 0D | 39 ??? 79 | DYN 2: ENH Freq500,,,20000Hz | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 03 0E | 40 ??? 58 | DYN 2: ENH Mix Level (0dB:40H) 0 ??? +12dB | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 03 0F | 00 ??? 64 | DYN 2: DES Sens0,,,100 | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 03 10 | 39 ??? 79 | DYN 2: DES Freq500,,,20000Hz | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 03 11 | 28 ??? 40 | DYN 2: DES Rejection Level (0dB:40H) ???12 ??? 0dB | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????|

|??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????|

???Algorithm 1 (MIC MODELING + DYNAMICS + PLUG IN(Preamp))

+????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????+

|==========+=========+===================================================| | 02 10 | 00 ??? 01 | LINKOFF, ON | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 11 | 00 | (Reserved)| |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 12 | 00 ??? 01 | Bypass MODEL 1OFF, ON | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 13 | 00 ??? 01 | Bypass MODEL 2OFF, ON | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 14 | 00 | (Reserved)| |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 15 | 00 | (Reserved)| |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 16 | 00 ??? 01 | Bypass DYN 1OFF, ON | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 17 | 00 ??? 01 | Bypass DYN 2OFF, ON | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 18 | 00 ??? 01 | Bypass PLUGIN 1(Preamp)OFF, ON | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 19 | 00 ??? 01 | Bypass PLUGIN 2(Preamp)OFF, ON | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????|

|??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 20 | 00 ??? 01 | MODEL 1: SWOFF, ON | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????|

|??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????|

|??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 23 | 34 ??? 4C | MODEL 1: Proximity Effect (0:40H) ???12,,,+12 | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 24 | 00 ??? 6B | MODEL 1: Timelag0,,,107 = 0,,,3000cm | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 25 | 00 ??? 01 | MODEL 2: SWOFF, ON | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????|

|??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????|

|??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 28 | 34 ??? 4C | MODEL 2: Proximity Effect (0:40H) ???12,,,+12 | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 29 | 00 ??? 6B | MODEL 2: Timelag0,,,107 = 0,,,3000cm | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????|

|??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 60 | 00 ??? 01 | DYN 1: COMP SWOFF,ON | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????|

|??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 62 | 00 ??? 01 | DYN 1: COMP KEYININ1,IN2 | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 63 | 10 ??? 40 | DYN 1: COMP Threshold (0dB:40H) ???24 ??? 0dB | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 64 | 00 ??? 0D | DYN 1: COMP Ratio0,13 = 1.00:0,,,INF:0 | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 65 | 00 ??? 01 | DYN 1: COMP KneeHARD,SOFT | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 66 | 00 ??? 7C | DYN 1: COMP Attack0,,,800.0ms | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 67 | 00 ??? 7C | DYN 1: COMP Release0,,,8000ms |

|??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 68 | 10 ??? 70 | DYN 1: COMP Level(0dB:40H) ???24 ??? +24dB | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 69 | 00 ??? 01 | DYN 1: COMP AutogainOFF,ON | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 6A | 00 ??? 01 | DYN 1: EXP SWOFF,ON | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 6B | 00 ??? 01 | DYN 1: EXP KEYININ1,IN2 | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 6C | 10 ??? 60 | DYN 1: EXP Threshold(0dB:60H) ???80 ??? 0dB | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 6D | 00 ??? 0D | DYN 1: EXP Ratio0,13 = 1.00:0,,,INF:0 | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 6E | 00 | (Reserved)| |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 6F | 00 ??? 7C | DYN 1: EXP Attack0,,,800.0ms | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 70 | 00 ??? 7C | DYN 1: EXP Release0,,,8000ms | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 71 | 00 ??? 01 | DYN 1: ENH/DES SWOFF,ON | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 72 | 00 ??? 01 | DYN 1: ENH/DES TypeENH,DES | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 73 | 00 ??? 64 | DYN 1: ENH Sens0,,,100 | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 74 | 39 ??? 79 | DYN 1: ENH Freq500,,,20000Hz | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 75 | 40 ??? 58 | DYN 1: ENH Mix Level(0dB:40H) 0 ??? +12dB | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 76 | 00 ??? 64 | DYN 1: DES Sens0,,,100 | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 77 | 39 ??? 79 | DYN 1: DES Freq500,,,20000Hz | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 78 | 10 ??? 40 | DYN 1: DES Rejection Level (0dB:40H) ???24 ??? 0dB | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 79 | 00 ??? 01 | DYN 2: COMP SWOFF,ON | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????|

|??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 7B | 00 ??? 01 | DYN 2: COMP KEYININ1,IN2 | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 7C | 10 ??? 40 | DYN 2: COMP Threshold (0dB:40H) ???24 ??? 0dB | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 7D | 00 ??? 0D | DYN 2: COMP Ratio0,13 = 1.00:0,,,INF:0 | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 7E | 00 ??? 01 | DYN 2: COMP KneeHARD,SOFT | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 02 7F | 00 ??? 7C | DYN 2: COMP Attack0,,,800.0ms | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 03 00 | 00 ??? 7C | DYN 2: COMP Release0,,,8000ms | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 03 01 | 10 ??? 70 | DYN 2: COMP Level(0dB:40H) ???24 ??? +24dB | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 03 02 | 00 ??? 01 | DYN 2: COMP AutogainOFF,ON | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 03 03 | 00 ??? 01 | DYN 2: EXP SWOFF,ON | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 03 04 | 00 ??? 01 | DYN 2: EXP KEYININ1,IN2 | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 03 05 | 10 ??? 60 | DYN 2: EXP Threshold(0dB:60H) ???80 ??? 0dB | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 03 06 | 00 ??? 0D | DYN 2: EXP Ratio0,13 = 1.00:0,,,INF:0 | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 03 07 | 00 | (Reserved)| |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 03 08 | 00 ??? 7C | DYN 2: EXP Attack0,,,800.0ms | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 03 09 | 00 ??? 7C | DYN 2: EXP Release0,,,8000ms | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 03 0A | 00 ??? 01 | DYN 2: ENH/DES SWOFF,ON | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 03 0B | 00 ??? 01 | DYN 2: ENH/DES TypeENH,DES | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 03 0C | 00 ??? 64 | DYN 2: ENH Sens0,,,100 | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 03 0D | 39 ??? 79 | DYN 2: ENH Freq500,,,20000Hz | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 03 0E | 40 ??? 58 | DYN 2: ENH Mix Level(0dB:40H) 0 ??? +12dB | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 03 0F | 00 ??? 64 | DYN 2: DES Sens0,,,100 | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 03 10 | 39 ??? 79 | DYN 2: DES Freq500,,,20000Hz | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 03 11 | 28 ??? 40 | DYN 2: DES Rejection Level (0dB:40H) ???12 ??? 0dB | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????|

|??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 03 20 | 00 ??? 01 | PLUGIN 1: Preamp SWOFF,0N | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 03 21 | 00 ??? 08 | PLUGIN 1: Preamp Type 0,,,8 = RED7,,,CSSLST | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 03 22 | 01 ??? 45 | PLUGIN 1: Preamp Warm Freq20,,,1000Hz | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 03 23 | 04 ??? 7C | PLUGIN 1: Preamp Warm Gain???6,,,+6dB | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 03 24 | 45 ??? 79 | PLUGIN 1: Preamp Brightness Freq 1000,,,20000Hz | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 03 25 | 04 ??? 7C | PLUGIN 1: Preamp Brightness Gain ???6,,,+6dB | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????|

|??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????|

|??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????|

|??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 03 29 | 00 ??? 01 | PLUGIN 2: Preamp SW0FF,0N | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 03 2A | 00 ??? 08 | PLUGIN 2: Preamp Type 0,,,8 = RED7,,,CSSLST | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 03 2B | 01 ??? 45 | PLUGIN 2: Preamp Warm Freq20,,,1000Hz | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 03 2C | 04 ??? 7C | PLUGIN 2: Preamp Warm Gain???6,,,+6dB | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 03 2D | 45 ??? 79 | PLUGIN 2: Preamp Brightness Freq 1000,,,20000Hz | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 03 2E | 04 ??? 7C | PLUGIN 2: Preamp Brightness Gain ???6,,,+6dB | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????|

|??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????|

|??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????|

|??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????|

|??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????|

???Status

+????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????+

|==========+=========+===================================================| | 04 00 | 00 ??? 01 | Lock FlagUNLOCK, LOCK | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????| | 04 01 | 00 ??? 02 | Operation Mode NORMAL, BULK DUMP, BULK RCV | |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????|

|??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????|

(*) Read Only Parameters.

???Remote Operation

+????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????+

|==========+=========+===================================================| | 00 05 00 | 00 ??? | Remote Command / Response| |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????|

|??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????|

*The addresses with # marks are invalid. Set data in regulated size (DT1) to the addresses without # marks.

*It is necessary to set parameter in regulated size simultaneously with the Command.

???Remote Operation Command List

???Remote Operation Response List

Command Remarks

40Complete (No Error)

41Error

???Command 00 NOP (No Operation)

+????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????+

|==========+=========+===================================================| | 00 05 00 | 00 | NOP (No Operation)| |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????|

???Command 01 Reset Temporary Patch

+????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????+

|==========+=========+===================================================| | 00 05 00 | 01 | Reset Temporary Patch| |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????|

???Command 02 Set Application Control Mode

+????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????+

|==========+=========+===================================================| | 00 05 00 | 02 | Set Application Control Mode| |??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????|

|??????????????????????????????+???????????????????????????+?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????|

MIDI Data - EQ Frequency Table

+????????????????????????+????????????????????????++????????????????????????+????????????????????????++????????????????????????+????????????????????????++????????????????????????+????????????????????????+ | Data | Hz || Data | Hz || Data | Hz || Data | Hz | +????????????????????????+????????????????????????++????????????????????????+????????????????????????++????????????????????????+????????????????????????++????????????????????????+????????????????????????+

+??????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????+

+????????????????????????+????????????????????????++????????????????????????+????????????????????????++????????????????????????+????????????????????????++????????????????????????+????????????????????????+ | Data | Hz || Data | Hz || Data | Hz || Data | Hz | +????????????????????????+????????????????????????++????????????????????????+????????????????????????++????????????????????????+????????????????????????++????????????????????????+????????????????????????+

+??????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????+

MIDI Data - EQ Gain Table

+????????????????????????+????????????????????????++????????????????????????+????????????????????????++????????????????????????+????????????????????????++????????????????????????+????????????????????????+ | Data |Gain(dB)|| Data |Gain(dB)|| Data |Gain(dB)|| Data |Gain(dB)| +????????????????????????+????????????????????????++????????????????????????+????????????????????????++????????????????????????+????????????????????????++????????????????????????+????????????????????????+

MIDI Data - EQ Type Table

+????????????????????????+????????????????????????+ | Data | TYPE | +????????????????????????+????????????????????????+

+????????????????????????+????????????????????????+

MIDI Data - EXP/CMP Ratio Table

MIDI Data - Time Table (Time Lag Table)

+????????????????????????+????????????????????????++????????????????????????+????????????????????????++????????????????????????+????????????????????????++????????????????????????+????????????????????????+ | Data | ms(cm) || Data | ms(cm) || Data | ms(cm) || Data | ms(cm) | +????????????????????????+????????????????????????++????????????????????????+????????????????????????++????????????????????????+????????????????????????++????????????????????????+????????????????????????+

+??????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????+

+????????????????????????+????????????????????????++????????????????????????+????????????????????????++????????????????????????+????????????????????????++????????????????????????+????????????????????????+ | Data | ms(cm) || Data | ms(cm) || Data | ms(cm) || Data | ms(cm) | +????????????????????????+????????????????????????++????????????????????????+????????????????????????++????????????????????????+????????????????????????++????????????????????????+????????????????????????+

+??????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????+

MIDI Data - PREAMP Type Table

MIDI Data - PREAMP Gain Table

+????????????????????????+????????????????????????++????????????????????????+????????????????????????++????????????????????????+????????????????????????++????????????????????????+????????????????????????+ | Data |Gain(dB)|| Data |Gain(dB)|| Data |Gain(dB)|| Data |Gain(dB)| +????????????????????????+????????????????????????++????????????????????????+????????????????????????++????????????????????????+????????????????????????++????????????????????????+????????????????????????+

+????????????????????????+????????????????????????++????????????????????????+????????????????????????++????????????????????????+????????????????????????++????????????????????????+????????????????????????+

Appendices

precision is required, we must use two or more bytes. For example, two hexadecimal numbers aa bbH expressing two 7-bit bytes would indicate a value of aa x 128 + bb.

*In the case of values which have a ?? sign, 00H = -64, 40H = ??0, and 7FH

= +63, so that the decimal expression would be 64 less than the value given in the above chart. In the case of two types, 00 00H = -8192, 40 00H = ??0, and 7F 7FH = +8191.

*Data marked ???nibbled??? is expressed in hexadecimal in 4-bit units. A value expressed as a 2-byte nibble 0a 0bH has the value of a x 16 + b.

<Ex.1> What is 5AH in decimal system? 5AH = 90 according to the above table.

<Ex.2>What in decimal system is 12034H in hexadecimal of every 7 bit? 12H = 18, 34H = 52 according to the above table. So 18 x 128 + 52 = 2356.

<Ex.3> What in decimal system is 0A 03 09 0D in nibble system? 0AH = 10, 03H = 3, 09H = 9, 0DH = 13 according to the table.

So ((10 x 16 + 3) x 16 + 9) x 16 + 13 = 41885.

<Ex. 4> What in nibble system is 1258 in decimal system?

____

16)1258

16)78 ... 10

16)4 ... 14

0 ... 4

0 = 00H, 4 = 04H, 14 = 0EH, 10 = 0AH According to the table. So it is 00 04 0E 0AH.

???Example of system exclusive message and

Checksum calculation

On Roland system exclusive message (DT1), checksum is added at the end of transmitted data (in front of F7) to check the message is received correctly. Value of checksum is defined by address and data (or size) of the system exclusive message to be transmitted.

???Decimal and Hexadecimal table

(Hexadecimal number is shown with H.)

In MIDI documentation, data values and addresses/sizes of system exclusive messages etc. are expressed as hexadecimal values for each 7 bits.

The following table shows how these correspond to decimal numbers.

+??????????????????+??????????????????++??????????????????+??????????????????++??????????????????+??????????????????++??????????????????+??????????????????+ | Deci | Hexa || Deci | Hexa || Deci | Hexa || Deci | Hexa | +??????????????????+??????????????????++??????????????????+??????????????????++??????????????????+??????????????????++??????????????????+??????????????????+

+??????????????????+??????????????????++??????????????????+??????????????????++??????????????????+??????????????????++??????????????????+??????????????????+

How to calculate checksum (Hexadecimal number is shown with H.)

Checksum is a value which lower 7 bit of the sum of address, size and checksum itself turns to be 0.

If the address of the system exclusive message to be transmitted is aa bb ccH and data or size is dd ee ffH,

aa + bb + cc + dd + ee + ff = sum sum / 128 = quotient and odd When odd is 0, 0 = checksum

When odd is other than 0, 128 - odd = checksum

: All Sound Off

Aux : Reset All Controllers

: Local On/Off

Messages : All Notes Off

:Active Sensing

:System Reset

Notes

Remarks

Level Meter

Effect Bank select

Effect Patch

Parameter

Specifications

Analog Input

Connector:

XLR-3-31 type (balanced)

1/4 inch TRS phone type (balanced) Input Impedance:

40k ??? Phantom Power:

DC 48 V and 7m A when the output is shorted PAD:

20 dB pad Maximum Input Level:

+ 2 dBu (PAD off) +22 dBu (PAD on)

Nominal Input Level:

-64 dBu ??? +4 dBu

Equivalent Input Noise:

-132 dBu (IHF-A typ.)

Analog Output

Connector:

XLR-3-32 type (balanced) Output Impedance:

600 ???

Recommended Load Impedance:

1k ??? or greater

Nominal Output Level:

-16 dBu / +4 dBu

Signal-to-Noise Ratio:

105 dB typ.

Digital Input

Connector: RCA for S/PDIF

Impedance: 75 ???

Digital Output

Connector: XLR for AES/EBU, RCA for S/PDIF

Impedance: 110 ??? for AES/EBU, 75 ??? for S/PDIF

Signal Processing

A/D Conversion: 24-bit, 64 times oversampling

D/A Conversion: 24-bit, 128 times oversampling

Sample Rate

96.0kHz, 88.2k Hz, 48.0k Hz, 44.1k Hz

Frequency Response

96.0k Hz: 20 Hz ??? 40k Hz (+0.1 / -3.0 dB)

88.2k Hz: 20 Hz ??? 40k Hz (+0.1 / -3.0 dB)

48.0k Hz: 20 Hz ??? 20k Hz (+0.1 / -0.5 dB)

44.1k Hz: 20 Hz ??? 20k Hz (+0.1 / -0.5 dB)

Microphone Modeling

Reference Microphone:

DR-20, Small Dynamic Microphone,

Head-worn Dynamic Microphone,

Miniature Condenser Microphone, AKG C3000B, Flat

Modeling Microphone:

Small Dynamic, Vocal Dynamic, Large Dynamic,

Small Condenser, Large Condenser,

Vintage Condenser, Flat

Equalizer

4-Band parametric equalizer Reference Frequency: 20 Hz ??? 20k Hz Type:

Peaking, Low-Shelving, High-Shelving, Low-Pass,

High-Pass, Low-Pass2, Hi-Pass2, Band-Pass,

Band-Eliminate

GAIN: -15 dB ??? +15 dB

Compressor

Type: Solid, Tube1, Tube2, Tube3, Tube4

Knee Type: Hard or Soft knee

Other Effects

Expander, Enhancer, De-esser, Pre-amp Modeling

Display

20 characters, 2 lines (back light LCD)

Power Supply

AC 117 V, AC 230 V or AC 240 V

Power Consumption

9 W

Dimension

250 (W) x 165 (D) x 76 (H) mm 9-7/8 (W) x 6-1/2 (D) x 3 (H) inches

Weight

1.8 kg

4 lbs

Accessories

Owner???s Manual, CD-ROM, AC Cord, USB Cable

(0 dBu = 0.775 Vrms)

*In the interest of product improvement, the specifications and/or appearance of this unit are subject to change without prior notice.

AFRICA

EGYPT

Al Fanny Trading Office

9, EBN Hagar A1 Askalany Street,

ARD E1 Golf, Heliopolis,

Cairo 11341, EGYPT

TEL: 20-2-417-1828

REUNION

Maison FO - YAM Marcel

25 Rue Jules Hermann,

Chaudron - BP79 97 491

Ste Clotilde Cedex,

REUNION ISLAND

TEL: (0262) 218-429

SOUTH AFRICA

That Other Music Shop

(PTY) Ltd.

11 Melle St., Braamfontein,

Johannesbourg, SOUTH AFRICA

P.O.Box 32918, Braamfontein 2017

Johannesbourg, SOUTH AFRICA

TEL: (011) 403 4105

Paul Bothner (PTY) Ltd.

17 Werdmuller Centre,

Main Road, Claremont 7708

SOUTH AFRICA

P.O.BOX 23032, Claremont 7735,

SOUTH AFRICA TEL: (021) 674 4030

ASIA

CHINA

Beijing Xinghai Musical

Instruments Co., Ltd.

6 Huangmuchang Chao Yang

District, Beijing, CHINA

TEL: (010) 6774 7491

Shanghai Xingtong Acoustics

Equipment CO.,Ltd.

5F. No.1500 Pingliang Road

New East Club Plaza, Shanghai,

CHINA

TEL: (021) 5580-0800

HONG KONG

Tom Lee Music Co., Ltd.

Service Division

22-32 Pun Shan Street, Tsuen

Wan, New Territories,

HONG KONG

TEL: 2415 0911

INDIA

Rivera Digitec (India) Pvt. Ltd.

409, Nirman Kendra Mahalaxmi

Flats Compound Off. Dr. Edwin

SINGAPORE

Swee Lee Company

150 Sims Drive, SINGAPORE 387381 TEL: 846-3676

CRISTOFORI MUSIC PTE

LTD

Blk 3014, Bedok Industrial Park E, #02-2148, SINGAPORE 489980 TEL: 243 9555

TAIWAN

ROLAND TAIWAN

ENTERPRISE CO., LTD.

Room 5, 9fl. No. 112 Chung Shan N.Road Sec.2, Taipei, TAIWAN, R.O.C.

TEL: (02) 2561 3339

THAILAND

Theera Music Co. , Ltd.

330 Verng NakornKasem, Soi 2,

Bangkok 10100, THAILAND

TEL: (02) 2248821

VIETNAM

Saigon Music

138 Tran Quang Khai St.,

District 1

Ho Chi Minh City

VIETNAM

TEL: (08) 844-4068

AUSTRALIA/

NEW ZEALAND

AUSTRALIA

Roland Corporation

Australia Pty., Ltd.

38 Campbell Avenue

Dee Why West. NSW 2099

AUSTRALIA

TEL: (02) 9982 8266

NEW ZEALAND

Roland Corporation Ltd.

32 Shaddock Street, Mount Eden,

Auckland, NEW ZEALAND

TEL: (09) 3098 715

CENTRAL/LATIN

AMERICA

ARGENTINA

Instrumentos Musicales S.A.

Av.Santa Fe 2055

(1123) Buenos Aires

ARGENTINA

TEL: (011) 4508-2700

BRAZIL

Roland Brasil Ltda

PANAMA

SUPRO MUNDIAL, S.A.

Boulevard Andrews, Albrook,

Panama City, REP. DE PANAMA

TEL: 315-0101

PARAGUAY

Distribuidora De

Instrumentos Musicales

J.E. Olear y ESQ. Manduvira

Asuncion PARAGUAY

TEL: (021) 492-124

PERU

VIDEO Broadcast S.A.

Portinari 199 (ESQ. HALS),

San Borja, Lima 41,

REP. OF PERU

TEL: (01) 4758226

URUGUAY

Todo Musica S.A.

Francisco Acuna de Figueroa 1771 C.P.: 11.800

Montevideo, URUGUAY TEL: (02) 924-2335

VENEZUELA

Musicland Digital C.A.

Av. Francisco de Miranda, Centro Parque de Cristal, Nivel C2 Local 20 Caracas

VENEZUELA TEL: (212) 285-8586

EUROPE

AUSTRIA

Roland Austria GES.M.B.H.

Siemensstrasse 4, P.O. Box 74, A-6063 RUM, AUSTRIA TEL: (0512) 26 44 260

BELGIUM/HOLLAND/

LUXEMBOURG

Roland Benelux N. V.

Houtstraat 3, B-2260, Oevel

(Westerlo) BELGIUM

TEL: (014) 575811

DENMARK

Roland Scandinavia A/S

Nordhavnsvej 7, Postbox 880,

DK-2100 Copenhagen

DENMARK

TEL: (039)16 6200

FRANCE

Roland France SA

4, Rue Paul Henri SPAAK, Parc de l'Esplanade, F 77 462 St. Thibault, Lagny Cedex FRANCE TEL: 01 600 73 500

FINLAND

ITALY

Roland Italy S. p. A.

Viale delle Industrie 8, 20020 Arese, Milano, ITALY TEL: (02) 937-78300

NORWAY

Roland Scandinavia Avd.

Kontor Norge

Lilleakerveien 2 Postboks 95

Lilleaker N-0216 Oslo

NORWAY

TEL: 273 0074

POLAND

P. P. H. Brzostowicz

UL. Gibraltarska 4.

PL-03664 Warszawa POLAND

TEL: (022) 679 44 19

PORTUGAL

Tecnologias Musica e Audio,

Roland Portugal, S.A.

Cais Das Pedras, 8/9-1 Dto 4050-465 PORTO

PORTUGAL

TEL: (022) 608 00 60

ROMANIA

FBS LINES

Piata Libertatii 1,

RO-4200 Gheorghehi

TEL: (095) 169-5043

RUSSIA

MuTek

3-Bogatyrskaya Str. 1.k.l

107 564 Moscow, RUSSIA TEL: (095) 169 5043

SPAIN

Roland Electronics de Espa??a, S. A.

Calle Bolivia 239, 08020

Barcelona, SPAIN

TEL: (93) 308 1000

SWEDEN

Roland Scandinavia A/S

SWEDISH SALES OFFICE

Danvik Center 28, 2 tr. S-131 30 Nacka SWEDEN TEL: (08) 702 0020

SWITZERLAND

Roland (Switzerland) AG

Musitronic AG

Gerberstrasse 5, Postfach,

CH-4410 Liestal, SWITZERLAND

TEL: (061) 927-8383

UKRAINE

TIC-TAC

Mira Str. 19/108

P.O. Box 180

295400 Munkachevo, UKRAINE

TEL: (03131) 414-40

ISRAEL

Halilit P. Greenspoon &

Sons Ltd.

8 Retzif Ha'aliya Hashnya St.

Tel-Aviv-Yafo ISRAEL

TEL: (03) 6823666

JORDAN

AMMAN Trading Agency

245 Prince Mohammad St.,

Amman 1118, JORDAN

TEL: (06) 464-1200

KUWAIT

Easa Husain Al-Yousifi

Abdullah Salem Street,

Safat, KUWAIT

TEL: 243-6399

LEBANON

A. Chahine & Fils

Gerge Zeidan St., Chahine Bldg.,

Achrafieh, P.O.Box: 16-5857

Beirut, LEBANON

TEL: (01) 20-1441

QATAR

Al Emadi Co. (Badie Studio

& Stores)

P.O. Box 62,

Doha, QATAR

TEL: 4423-554

SAUDI ARABIA

aDawliah Universal

Electronics APL

Corniche Road, Aldossary Bldg., 1st Floor, Alkhobar,

SAUDI ARABIA

P.O.Box 2154, Alkhobar 31952

SAUDI ARABIA

TEL: (03) 898 2081

SYRIA

Technical Light & Sound

Center

Bldg. No. 47,

Khaled Ebn Al Walid St.

Damascus, SYRIA

TEL: (011) 221-1230

TURKEY

Barkat muzik aletleri ithalat ve ihracat Ltd Sti

Siraselviler Caddesi Siraselviler

Pasaji No:74/20

Taksim - Istanbul, TURKEY

TEL: (0212) 2499324

U.A.E.

Zak Electronics & Musical

Instruments Co. L.L.C.

Zabeel Road, Al Sherooq Bldg.,

No. 14, Grand Floor, Dubai, U.A.E.

TEL: (04) 3360715

Moses Road, Mumbai-400011,

INDIA

TEL: (022) 498 3079

INDONESIA

PT Citra IntiRama

J1. Cideng Timur No. 15J-150

Jakarta Pusat

INDONESIA

TEL: (021) 6324170

KOREA

Cosmos Corporation

1461-9, Seocho-Dong,

Seocho Ku, Seoul, KOREA

TEL: (02) 3486-8855

MALAYSIA

BENTLEY MUSIC SDN BHD

140 & 142, Jalan Bukit Bintang

55100 Kuala Lumpur,MALAYSIA

TEL: (03) 2144-3333

PHILIPPINES

G.A. Yupangco & Co. Inc.

339 Gil J. Puyat Avenue

Makati, Metro Manila 1200,

PHILIPPINES

TEL: (02) 899 9801

Rua San Jose, 780 Sala B

Parque Industrial San Jose

Cotia - Sao Paulo - SP, BRAZIL

TEL: (011) 4615 5666

COSTA RICA

JUAN Bansbach

Instrumentos Musicales

Ave.1. Calle 11, Apartado 10237,

San Jose, COSTA RICA

TEL: 258-0211

CHILE

Comercial Fancy S.A.

Rut.: 96.919.420-1

Nataniel Cox #739, 4th Floor Santiago - Centro, CHILE TEL: (02) 688-9540

EL SALVADOR

OMNI MUSIC

75 Avenida Norte y Final

Alameda Juan Pablo ,

Edificio No.4010 San Salvador,

EL SALVADOR

TEL: 262-0788

MEXICO

Casa Veerkamp, s.a. de c.v.

Av. Toluca No. 323, Col. Olivar de los Padres 01780 Mexico D.F.

MEXICO TEL: 668-0480

Roland Scandinavia As,

Filial Finland

Lauttasaarentie 54 B

Fin-00201 Helsinki, FINLAND

TEL: (9) 682 4020

GERMANY

Roland Elektronische

Musikinstrumente HmbH.

Oststrasse 96, 22844 Norderstedt,

GERMANY

TEL: (040) 52 60090

GREECE

STOLLAS S.A.

Music Sound Light

155, New National Road

Patras 26442, GREECE

TEL: (061) 43-5400

HUNGARY

Intermusica Ltd.

Warehouse Area ???DEPO??? Pf.83

H-2046 Torokbalint, HUNGARY

TEL: (23) 511011

IRELAND

Roland Ireland

Audio House, Belmont Court,

Donnybrook, Dublin 4.

Republic of IRELAND

TEL: (01) 2603501

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

ATTENTION: RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR

CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK,

DO NOT REMOVE COVER (OR BACK).

NO USER-SERVICEABLE PARTS INSIDE.

REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.

The lightning flash with arrowhead symbol, within an equilateral triangle, is intended to alert the user to the presence of uninsulated ???dangerous voltage??? within the product???s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons.

The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the product.

1.Read these instructions.

2.Keep these instructions.

3.Heed all warnings.

4.Follow all instructions.

5.Do not use this apparatus near water.

6.Clean only with a dry cloth.

7.Do not block any of the ventilation openings. Install in accordance with the manufacturers instructions.

8.Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including amplifiers) that produce heat.

9.Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. When the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet.

10.Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus.

11.Only use attachments/accessories specified by the manufacturer.

12.Never use with a cart, stand, tripod, bracket, or table except as specified by the manufacturer, or sold with the apparatus. When a cart is used, use caution when moving the cart/apparatus combination to avoid injury from tip-over.

13.Unplug this apparatus during lightning storms or when unused for long periods of time.

14.Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped.